約 5,885,354 件
https://w.atwiki.jp/oper/pages/2792.html
ACTE III 10. Duo （Un appartement du palais） ▼ALPHONSE▲ N'espérez pas me fuir, Je ne vous quitte pas. ▼ELVIRE▲ Non, laissez-moi, n'arrêtez point mes pas. ▼ALPHONSE▲ Ecoutez, je vous en supplie Que le noeud qui nous lie M'obtienne au moins cette faveur! ▼ELVIRE▲ Non, jamais! Vous m'avez trahie, Et votre perfidie A porté la mort dans mon coeur. ▼ALPHONSE▲ Quelques torts dont je sois coupable Je fléchirais votre rigueur, Si du désespoir qui m'accable Vous pouviez connaître l'horreur. ▼ELVIRE▲ Epargnez-vous un tel parjure De moi vous n'entendrez, hélas! Aucun reproche, aucun murmure; Je pars. ▼ALPHONSE▲ Elvire! ▼ELVIRE▲ Je pars, n'arrêtez point mes pas! Ah! je n'accuse que moi-même; De mon amour je dois rougir. Pour toujours, hélas! je vous aime! Et pour toujours je dois vous fuir. ▼ALPHONSE▲ En horreur á moi-même, Il ne me reste qu'à mourir. J'ai fait le malheur De tout ce que j'aime. Il ne me reste qu'à mourir. ▼ELVIRE▲ Ah! je n'accuse que moi-même; De mon amour je dois rougir. Pour toujours, hélas! je vous aime! Et pour toujours je dois vous fuir. ▼ALPHONSE▲ Elvire, si je fus coupable, Du moins ce n'est pas envers toi. ▼ELVIRE▲ Fuyez, Alphonse, épargnez-moi; Cessez un entretien coupable. ▼ALPHONSE▲ Vois le désespoir qui m'accable Ah! jette un seul regard sur moi! ▼ELVIRE▲ Non, vous avez brisé nos chaînes. ▼ALPHONSE▲ Vois ton amant, vois ton époux. ▼ELVIRE▲ Lui seul cause toutes mes peines. ▼ALPHONSE▲ Il va mourir à tes genoux. ▼ELVIRE▲ Alphonse! ▼ALPHONSE▲ Il va mourir à tes genoux! ▼ELVIRE▲ Alphonse! ▼ALPHONSE▲ Elvire! ▼ELVIRE▲ Je pardonne. Mon faible coeur parle pour toi. ▼ALPHONSE▲ Au bonheur mon coeur s'abandonne! ▼ELVIRE▲ Et je m'abandonne à ta foi. ▼ALPHONSE, ELVIRE▲ Ô moment plein de charmes! T Tous nos maux sont finis; Je sens couler des larmes De mes yeux attendris. ▼ELVIRE▲ Mais cette jeune infortunée, Je dois veiller sur son destin. Alphonse, ordonnez que soudain Près de sa souveraine elle soit amenée. ▼ALPHONSE▲ Vos désirs seront satisfaits. （A Selva qui entre） Courez, soldats, cherchez la fugitive Qui fut votre captive Et qu'elle soit par vous conduite en ce palais （Ils sortent.） 11. Choeur （La grande place du marché de Naples. On voit arriver, en dansant, des jeunes filles portant sur leurs têtes des corbeilles de fleurs ou de fruits; des pêcheurs et des paysans arrivent apportant leurs denrées. Le marché s'ouvre les fleurs et les fruits s'élèvent en étage de chaque côté. Pendant que des jeunes filles et des jeunes garçons se livrent à la danse, des habitants de Naples, suivis de leurs intendants ou de leurs porteurs passent dans les allées du marché, marchandent, achètent. Plusieurs lazzaroni, à qui ils donnent des pièces de monnaie ou des paniers de fruits, témoignent leur joie et se joignent aux danseurs. Pendant ce temps, Fenella est entrée avec celles de ses compagnes qu'on a vues au second acte; elles se placent sur le devant du théâtre, et ont devant elles des paniers de fruits. Fenella est triste, pensive et ne prend part à ce qui se passe autour d'elle; de temps en temps seulement elle se lève et regarde si elle ne voit pas apparaître son frère ou quelqu'un de la cour.） ▼LE CHOEUR▲ Au marché qui vient de s'ouvrir, Venez, hâtez-vous d'accourir Voilà des fleurs, voilà des fruits, Raisins vermeils, limons exquis, Oranges fines de Méta, Rosolio, vin de Somma, Nouveaux cédrats de Portici, Venez à moi, venez ici C'est moi qui veux vous les offrir Vers moi pressez-vous d'accourir. ▼PÊCHEURS▲ Venez, adressez-vous au pêcheur de Mysène. ▼MARCHANDES DE FRUITS▲ Je vends des fruits au vice-roi. ▼MARCHANDES DE FLEURS▲ Et moi des bouquets à la reine. 12. Final （Selva entre avec plusieurs soldats qui se dispersent dans le marché. Fenella aperçoit Selva. Trompée par son uniforme, elle le regarde d'abord avec curiosité mais elle le reconnaît, fait un geste d'effroi, et tâche de lui cacher son visage.） ▼SELVA▲ （Pendant que la danse continue, il parcourt les différents groupes des jeunes filles et les regarde attentivement; arrivé près de Fenella, il fait un geste de surprise.） Non, je ne me trompe pas. C'est bien elle!… à moi, soldats! Qu'à l'instant même on me suive! （Fenella se lève épouvantée et court se réfugier au milieu de ses campagnes; par ses gestes elle les supplie de la protéger.） ▼LE CHOEUR DE FEMMES▲ Ô ciel! l'innocente captive! On en veut à ses jours Qu'a-t-elle fait? ▼SELVA ET LES SOLDATS▲ Qu'à l'instant on nous suive! （On entraîne Fenella.） ▼LE CHOEUR DE FEMMES▲ Ah! contre nos tyrans il n'est point de recours? Qui viendra donc à son secours? ▼SELVA, SOLDATS▲ Point de murmure, il y va de nos jours! （Selva et les soldats sont sur le point d'emmener Fenella quand au milieu du marché paraissent Masaniello, Pietro et quelques pêcheurs.） ▼MASANIELLO▲ Où la conduisez-vous? ▼SELVA▲ Que t'importe? ▼MASANIELLO▲ C'est ma soeur ▼SELVA▲ Tais-toi! c'est par l'ordre du vice-roi. ▼MASANIELLO▲ （tirant son poignard） Crains la fureur qui me transporte. ▼SELVA▲ （faisant signe à un soldat） Arrache-lui ce fer dont il ose s'armer ▼MASANIELLO▲ （poignardant le soldat） Levez-vous, compagnons! Ils veulent m'immoler! （Tous les paysans, qui étaient restés assis, se lèvent en tirant leurs armes, et en un instant Selva et ses soldats sont entourés et désarmés.） ▼LE CHOEUR▲ Courons à la vengeance! Des armes, des flambeaux! Et que notre vaillance Mette un terme à nos maux! （Ils agitent leurs armes, et vont pour sortir.） Marchons, marchons! ▼MASANIELLO▲ （les arrêtant） Invoquons du Très-Haut La faveur tutélaire A genoux, guerriers, à genoux! Dieu nous juge que sa colère Aux combats marche devant nous! （Le peuple se prosterne.） ▼MASANIELLO, LE CHOEUR▲ Saint bienheureux, dont la divine image De nos enfants protège les berceaux, Toi qui nous rends la force et le courage, Toi qui soutiens le pauvre en ses travaux, Tu nous vois tous à tes genoux! Sois avec nous, protège-nous! Saint bienheureux, dont la divine image De nos enfants protège les berceaux, Tu nous vois tous à tes genoux! Sois avec nous, protège-nous! Fais aujourd'hui pour nous Des miracles nouveaux. （On entend le roulement du tambour.） ▼CHOEUR GÉNÉRAL▲ Marchons! des armes! des flambeaux! etc. Courons à la vengeance! Des armes, des flambeaux! Et que notre vaillance Mette un terme à nos maux! （Ils se partagent des armes et courent des torches à la main; les femmes les excitent à la lueur de l'incendie.） ACTE III 10. Duo Un appartement du palais ALPHONSE N'espérez pas me fuir, Je ne vous quitte pas. ELVIRE Non, laissez-moi, n'arrêtez point mes pas. ALPHONSE Ecoutez, je vous en supplie Que le noeud qui nous lie M'obtienne au moins cette faveur! ELVIRE Non, jamais! Vous m'avez trahie, Et votre perfidie A porté la mort dans mon coeur. ALPHONSE Quelques torts dont je sois coupable Je fléchirais votre rigueur, Si du désespoir qui m'accable Vous pouviez connaître l'horreur. ELVIRE Epargnez-vous un tel parjure De moi vous n'entendrez, hélas! Aucun reproche, aucun murmure; Je pars. ALPHONSE Elvire! ELVIRE Je pars, n'arrêtez point mes pas! Ah! je n'accuse que moi-même; De mon amour je dois rougir. Pour toujours, hélas! je vous aime! Et pour toujours je dois vous fuir. ALPHONSE En horreur á moi-même, Il ne me reste qu'à mourir. J'ai fait le malheur De tout ce que j'aime. Il ne me reste qu'à mourir. ELVIRE Ah! je n'accuse que moi-même; De mon amour je dois rougir. Pour toujours, hélas! je vous aime! Et pour toujours je dois vous fuir. ALPHONSE Elvire, si je fus coupable, Du moins ce n'est pas envers toi. ELVIRE Fuyez, Alphonse, épargnez-moi; Cessez un entretien coupable. ALPHONSE Vois le désespoir qui m'accable Ah! jette un seul regard sur moi! ELVIRE Non, vous avez brisé nos chaînes. ALPHONSE Vois ton amant, vois ton époux. ELVIRE Lui seul cause toutes mes peines. ALPHONSE Il va mourir à tes genoux. ELVIRE Alphonse! ALPHONSE Il va mourir à tes genoux! ELVIRE Alphonse! ALPHONSE Elvire! ELVIRE Je pardonne. Mon faible coeur parle pour toi. ALPHONSE Au bonheur mon coeur s'abandonne! ELVIRE Et je m'abandonne à ta foi. ALPHONSE, ELVIRE Ô moment plein de charmes! T Tous nos maux sont finis; Je sens couler des larmes De mes yeux attendris. ELVIRE Mais cette jeune infortunée, Je dois veiller sur son destin. Alphonse, ordonnez que soudain Près de sa souveraine elle soit amenée. ALPHONSE Vos désirs seront satisfaits. A Selva qui entre Courez, soldats, cherchez la fugitive Qui fut votre captive Et qu'elle soit par vous conduite en ce palais Ils sortent. 11. Choeur La grande place du marché de Naples. On voit arriver, en dansant, des jeunes filles portant sur leurs têtes des corbeilles de fleurs ou de fruits; des pêcheurs et des paysans arrivent apportant leurs denrées. Le marché s'ouvre les fleurs et les fruits s'élèvent en étage de chaque côté. Pendant que des jeunes filles et des jeunes garçons se livrent à la danse, des habitants de Naples, suivis de leurs intendants ou de leurs porteurs passent dans les allées du marché, marchandent, achètent. Plusieurs lazzaroni, à qui ils donnent des pièces de monnaie ou des paniers de fruits, témoignent leur joie et se joignent aux danseurs. Pendant ce temps, Fenella est entrée avec celles de ses compagnes qu'on a vues au second acte; elles se placent sur le devant du théâtre, et ont devant elles des paniers de fruits. Fenella est triste, pensive et ne prend part à ce qui se passe autour d'elle; de temps en temps seulement elle se lève et regarde si elle ne voit pas apparaître son frère ou quelqu'un de la cour. LE CHOEUR Au marché qui vient de s'ouvrir, Venez, hâtez-vous d'accourir Voilà des fleurs, voilà des fruits, Raisins vermeils, limons exquis, Oranges fines de Méta, Rosolio, vin de Somma, Nouveaux cédrats de Portici, Venez à moi, venez ici C'est moi qui veux vous les offrir Vers moi pressez-vous d'accourir. PÊCHEURS Venez, adressez-vous au pêcheur de Mysène. MARCHANDES DE FRUITS Je vends des fruits au vice-roi. MARCHANDES DE FLEURS Et moi des bouquets à la reine. 12. Final Selva entre avec plusieurs soldats qui se dispersent dans le marché. Fenella aperçoit Selva. Trompée par son uniforme, elle le regarde d'abord avec curiosité mais elle le reconnaît, fait un geste d'effroi, et tâche de lui cacher son visage. SELVA Pendant que la danse continue, il parcourt les différents groupes des jeunes filles et les regarde attentivement; arrivé près de Fenella, il fait un geste de surprise. Non, je ne me trompe pas. C'est bien elle!… à moi, soldats! Qu'à l'instant même on me suive! Fenella se lève épouvantée et court se réfugier au milieu de ses campagnes; par ses gestes elle les supplie de la protéger. LE CHOEUR DE FEMMES Ô ciel! l'innocente captive! On en veut à ses jours Qu'a-t-elle fait? SELVA ET LES SOLDATS Qu'à l'instant on nous suive! On entraîne Fenella. LE CHOEUR DE FEMMES Ah! contre nos tyrans il n'est point de recours? Qui viendra donc à son secours? SELVA, SOLDATS Point de murmure, il y va de nos jours! Selva et les soldats sont sur le point d'emmener Fenella quand au milieu du marché paraissent Masaniello, Pietro et quelques pêcheurs. MASANIELLO Où la conduisez-vous? SELVA Que t'importe? MASANIELLO C'est ma soeur SELVA Tais-toi! c'est par l'ordre du vice-roi. MASANIELLO tirant son poignard Crains la fureur qui me transporte. SELVA faisant signe à un soldat Arrache-lui ce fer dont il ose s'armer MASANIELLO poignardant le soldat Levez-vous, compagnons! Ils veulent m'immoler! Tous les paysans, qui étaient restés assis, se lèvent en tirant leurs armes, et en un instant Selva et ses soldats sont entourés et désarmés. LE CHOEUR Courons à la vengeance! Des armes, des flambeaux! Et que notre vaillance Mette un terme à nos maux! Ils agitent leurs armes, et vont pour sortir. Marchons, marchons! MASANIELLO les arrêtant Invoquons du Très-Haut La faveur tutélaire A genoux, guerriers, à genoux! Dieu nous juge que sa colère Aux combats marche devant nous! Le peuple se prosterne. MASANIELLO, LE CHOEUR Saint bienheureux, dont la divine image De nos enfants protège les berceaux, Toi qui nous rends la force et le courage, Toi qui soutiens le pauvre en ses travaux, Tu nous vois tous à tes genoux! Sois avec nous, protège-nous! Saint bienheureux, dont la divine image De nos enfants protège les berceaux, Tu nous vois tous à tes genoux! Sois avec nous, protège-nous! Fais aujourd'hui pour nous Des miracles nouveaux. On entend le roulement du tambour. CHOEUR GÉNÉRAL Marchons! des armes! des flambeaux! etc. Courons à la vengeance! Des armes, des flambeaux! Et que notre vaillance Mette un terme à nos maux! Ils se partagent des armes et courent des torches à la main; les femmes les excitent à la lueur de l'incendie. Auber,François/La Muette de Portici/IV
https://w.atwiki.jp/mainichi-matome/pages/7380.html
The story below is originally published on Mainichi Daily News by Mainichi Shinbun (http //mdn.mainichi.jp). They admitted inventing its kinky features, or rather deliberately mistranslating them from the original gossip magazine. In fact, this is far from the general Japanese behavior or sense of worth. このページは、毎日新聞事件の検証のための配信記事対訳ページです。直接ジャンプして来られた方は、必ずFAQをお読みください。 ※ この和訳はあくまでもボランティアの方々による一例であり、翻訳の正確さについては各自判断してください。もし誤訳（の疑い）を発見した場合には、直接ページを編集して訂正するか翻訳者連絡掲示板に報告してください。 Hisako Shirata sheds sexy celluloid stardom for beauty queen future白田久子、美の女王としての未来の為に、映画のスターダムに裸ん入(らんにゅう)する 参考資料 拡散状況 関連ページ Hisako Shirata sheds sexy celluloid stardom for beauty queen future 白田久子、美の女王としての未来の為に、映画のスターダムに裸ん入(らんにゅう)する 元記事（削除済み)：http //mdn.mainichi.jp/culture/waiwai/news/20061103p2g00m0dm019000c 0 Hisako Shirata sheds sexy celluloid stardom for beauty queen future 2006,11,3 Shukan Shincho By Ryann Connell 白田久子、美の女王としての未来の為に、映画のスターダムに裸ん入(らんにゅう)する 2006,11,3 週刊新潮 ライアン・コネル記 1 In the almost 100-year-old annals of Japanese beauty contests, there s never been an incident like the one rocking the pageant world right now, with newly crowned Miss International Japan Hisako Shirata exposed for having performed nude sex scenes for the camera, according to Shukan Shincho. ほぼ100年におよぶ日本美人コンテストの歴史の中において、今まさに美人コンテスト界を揺り動かしている事態のようなことはかつて一度もなかった。最近女王の座についたミス・インターナショナル・ジャパンの白田久子が、カメラに向かって全裸でセックスシーンを演じていたことが暴露されたのである。週刊新潮より。 2 Though Japan has over 1,000 established beauty contests (ranging from Miss Glacier in the north to Miss Hibiscus in the south) in a history dating back to 1908, Miss International is regarded as one of the Big Three, together with Miss Japan and Miss Universe Japan, the weekly says. 1908年にまでさかのぼることのできる歴史の中で、1000を超える美人コンテスト(北はミス氷河から南はミスハイビスカスにまで)が行われてきたが、ミス・インターナショナルは、ミス・ジャパンとミス・ユニバース・ジャパンとともに、ビッグ３の一角をなすと見なされている、と週刊新潮はいう。 3 But when 24-year-old, 170-centimeter-tall model Shirata was selected as Miss Japan late last month, it sent the relatively unknown s name recognition soaring and opened a real can of worms. Specifically, the Miss International victory put Shirata s stint as a thespian in the spotlight. しかし、24歳で身長170センチのモデル・白田が先月末にミス・ジャパンに選出されたとき、それは比較的無名だった名前の認知度を高くし、厄介な問題を引き起こした。とりわけ、ミス・インターナショナルでの勝利は、女優としての白田の仕事にスポットライトを当てた。 4 "Three years ago, Shirata appeared in an R-rated movie called Kanzen Naru Kaiiku Himitsu no Chikashitsu (The Perfect Pet Secret Basement). As the title perhaps suggests, she played the role of a high school girl abducted and kept prisoner by a man played by Taro Yamamoto. It was her first movie and was pretty steamy, getting her nude and performing sex and bondage scenes," a reporter on the entertainment beat tells Shukan Shincho. 「三年前、白田は『完全なるカイ育 秘密の地下室(完全なる飼育：秘密の地下室)』という準成人向けの映画に出演しました。おそらくタイトルが示唆するように、山本太郎が演ずる男によって誘拐されて囚われの身となった女子高校生の役を演じました。それは彼女の初めての映画で、相当エロティックで、彼女のヌードやセックスをするところやボンデージシーンが含まれています」とエンターテイメント担当記者は週刊新潮に語る。 5 Miss International s entrants are only required to be under a certain age limit and be unmarried. None of the questions are otherwise probed about their pasts. A beauty contest industry insider shakes their head when it comes to the decision to make Shirata Miss International Japan. ミス・インターナショナルの応募者に要求されるのは、年齢制限と結婚経験のないことだけである。 他には、彼女たちの過去について調べるような質問は全くない。 美人コンテスト産業の内部の者は、白田をミス・インターナショナルジャパンに選んだ決定のこととなると頭を振る。 6 "There are always performers who apply to take part in these contests. Normally, the judges are pretty strict on actresses and they often find it hard to win," the industry insider tells Shukan Shincho. "An example of this is the way contestants approach the cameras. Judges are always going to take a harder line when it comes to comparing a woman whose profession is to appear before the camera and another woman who has to muster up the courage to show herself off before a lens for the first time in her life." Performing nude and doing sex scenes had also been widely regarded as surefire pathways to failure. 「美人コンテストに参加しようと応募する女優は常にいます。普通、審判たちは女優に対して相当厳格で、彼女たちはしばしば勝つことが困難だと気づきます」とこの内部の者は週刊新潮に語る。 「このことの一例が、コンテスト参加者のカメラへの近寄り方です。職業としてカメラの前に現れる女性と、人生で初めてレンズの前で自分自身を披露する勇気をかき集めなければならない女性とを区別することとなると、審判たちはつねにより厳しい区別基準を採用します」 ヌードになることやセックスシーンを演ずることもまた、失敗へと導く確かな経路であることと広くみなされてきた。 7 "Beauty contests are all about the contestants being clean and pure. There s not much you can do about contest winners who go on to do nude work, but giving them the prize after they ve already acted nude is a bit rich," the insider says. "Some people are suggesting that Shirata s win is a sign that the contest s judges weren t doing their job properly." 「美人コンテストは『清潔』で『純粋』なコンテスト参加者だけが全てです。ヌードになる仕事をしていたコンテスト優勝者に出来ることはたいしてありませんが、すでにヌードで演技をした後で彼女たちに賞をあたえるのは相当馬鹿げてきます」と前述の内部者はいう。 「白田がかったことは、コンテストの審判が自分の仕事をちゃんとやっていないことの証だ、と示唆する人もいます」 8 Indignant judges scoff at the suggestion. 憤激した審判たちはこの示唆をあざける。 9 "Shirata was in an R-rated movie? It s the first I ve heard," one of the judges tells the weekly. "I never heard the topic raised during judges discussion about the contest. I guess she wouldn t have won if we d known about it." 「白田が準成人向けの映画に出ていた？ 私はそんなことは初めて聞きました」と審判たちの一人は週刊新潮に語る。 「コンテストについての審判の議論の間、そんな話題が取り上げらるのを聞いたことなど、私は決してありませんでした。私達がそのことを知っていたら、彼女は優勝しなかっただろうと思います」 10 Shirata s handlers are just as angry at the implications that her silver screen sex scenes have been kept a secret. Her talent agency staff say she s always been open about her past. 白田の広報担当マネージャーは、彼女の銀幕でのセックスシーンが秘密にされていたというほのめかしにたいして、同じくらい怒っている。 彼女のタレント事務所のスタッフは、彼女は常に自分の過去に対してオープンで在り続けているという。 11 "Her website states that she s appeared in movies and her profile s listed there, plain for all to see," the agency spokesman tells Shukan Shincho. "We don t see any problem at all." 「彼女のウェブサイトには、彼女が映画に出演したことが明確に書かれているし、そこには彼女のプロフィールの一覧もあります」と事務所のスポークスマンは週刊新潮に語る。 「私達は、全くなんの問題もないと思います」 参考資料 白田久子 http //ja.wikipedia.org/wiki/%E7%99%BD%E7%94%B0%E4%B9%85%E5%AD%90 完全なる飼育：秘密の地下室 http //ja.wikipedia.org/wiki/%E5%AE%8C%E5%85%A8%E3%81%AA%E3%82%8B%E9%A3%BC%E8%82%B2#-.E7.A7.98.E5.AF.86.E3.81.AE.E5.9C.B0.E4.B8.8B.E5.AE.A4 拡散状況 AsianIdols.Net ｈｔｔｐ //www.asianidols.net/comment.php?comment.news.136(*1) Blogger：その他 部分転載：http //mykiru.blogspot.com/2007/10/miss-international-2007-update-miss.html Cultures & Traditions http //cultrad.blogspot.com/2006/11/japanese-pageant-winner-sex-star.html ベトナム語サイト http //vietbao.vn/Van-hoa/Hoa-hau-Nhat-Ban-bi-tuoc-vuong-mien-vi-dong-phim-mat/30151448/108/ http //japanest.com/forum/showthread.php?t=4917 http //www.tin247.com/hoa_hau_nhat_bi_tuoc_vuong_mien_vi_dong_phim_mat-8-21277158.html 英語サイト 部分転載：ｈｔｔｐ //www.asianbite.com/default.asp?Display=441(*2) http //www.asiangirlsfree.com/asian/sexy-japanese-beauty.html http //www.exbii.com/showthread.php?t=55121 page=400 http //www.militaryphotos.net/forums/showthread.php?t=97420 http //www.nowpublic.com/japanese_pageant_winner_a_sex_star 部分転載：http //www.sexyhotbeauty.com/2006/11/miss-international-hisako-shirata-shocks-japan/ 関連ページ Blogger：その他 Cultures Traditions WaiWaiの記事を転載した英語サイト：A WaiWaiの記事を転載した英語サイト：E WaiWaiの記事を転載した英語サイト：M WaiWaiの記事を転載した英語サイト：N WaiWaiの記事を転載した英語サイト：S 毎日新聞英語版から配信された記事2006年 記事が及ぼした影響
https://w.atwiki.jp/fffkindle1212134/pages/27.html
Code Geass 12. The Messenger from Kyoto Lelouch, a young outcast prince of Britannia possesses two great powers. One of them is the absolute ability to compel any person to do whatever he commands. The other is the Black Knights his military force assembled with the intent of destroying the Britannian Empire ruled by his father. Veiling his true identity behind the mask and the code name Zero, Lelouch has made his move to avenge his mother s murder and to create a world in which his younger sister Nunnally can find happiness. What would be the final outcome of these actions? At this point, no one can predict. Minister The Japan Liberation Front was nearly wiped out by your Narita operation, viceroy. Now, we re hunting down the survivors, one by one. Cornelia Are you being sarcastic? We re barely pulling our forces back together after that fiasco. Minister No, I, I didn t mean to... Guilford The Occupation Government is responsible for this. They ve done nothing about Area 11 s subways and mining railways. In the ghettoes, they falsify the registries and property deeds as the rebellion spreads unchallenged. Minister Ah, the subway tunnels stretch over the whole country. We can t just fill them all in. We don t have the budget. Guilford The terrorists are using them as their strike bases and escape routes. Minister B,,, But, Prince Clovis instructed us. Ah, he said forcing them would fuel the rebellion giving the Chinese Federation an excuse to attack. Cornelia They ve already got their excuse. Zero is growing stronger and bolder everyday. Darlton Vice-Minister. Internal Affairs has appointed special group of the Elevens to self-govern this area, isn t that right? A group who are called the NAC. Minister Huh? Darlton When we stormed Narita, we looked for the evidence of the NAC s conspiracies. But it was buried in the landslide. Still our suspicions remain high. If we suppress them now... Cornelia Hmm, a group of blue-bloods and plutocrats. Relics of their dismal past. Minister Oh, wait! please! These are just rumors. There s no evidence of that at all. If you suppress them, then the Eleven s economy will certainly collapse. That means no tax revenue to send to the homeland. Also, it s a prime directive of the empire that Numbers should take care of their own kind. Cornelia And what have you done to find the Black Knights? Minister We analyzed the shield machine they left showing Zero was behind the Narita operation. But that s all we ve got. You can t squeeze information out of corpses. Cornelia So you can t catch Zero and you don t want us to hit Kyoto. Do you know the word incompetent, minister? It s for people who can t get results. Kirihara So, the Britannian viceroy has gone this far already. Man With the Liberation Front smashed, the last embers of Japan have died away. Man No, he may be on the run, but Tohdoh is still strong, still fighting. Man Even if that so, I heard he lost his custom Burais. So, there s no hope. Kaguya There is hope. Man Mm? Man The Black Knights? You ve been infatuated with Zero since he rescued Suzaku Kururugi. We even sent him the Guren Mk-II. Teacher And after the defeat at Trafalgar, Elisabeth the third found herself surrounded by revolutionaries in Edinburgh. Shirley Oh, father... Teacher However with the help of Lord Britannia, she s fled to the American colonies now known as our homeland Britannia. Shirley Hmm... Um... H m... Ha... Milly Huh? OK. What s got you so worried. Constipated? Your monthly? Shirley Huh? That s not it. Milly Huh... You re lonely cause Lelouch is gone, aren t you? Shirley Wha... It s more like Kallen is absent the same day he is... again. Milly Oh, so carefree. While the rest of the world grapples with what happened at Narita. Suzaku s been out for two days because of that, too. Shirley I know that! But Lelou and Kallen gone on the same day together. That s serious. Milly He he he! I envy you, Shirley. That s what I love about you. Nina Huh? Shirley Don t make fun of me! Arthur Meow. Milly Then just tell him already, three little words "I like you!". Shirley Uh... Uh... I couldn t. I just couldn t. I mean what if... Milly What if he rejects me, it can ruin our great friendship. Ha ha ha ha ha ha ha ha ha ha! Shirley You don t have to laugh that hard, you know? Milly It s comfortable isn t it? This place now. The way we are together. Shirley That s true. Milly Still we should prepare ourselves a bit. The fact is nothing stays the same forever, you know. Shirley Uh... Milly Oh, forget it. Please don t take me too seriously. If it s bothering you why not you just ask him the next chance you get? So, how do you feel about it on your side? Shirley Huh? Wha... Lelou?! I thought you were absent! Lelouch Nunnally had a little fever this morning and Sayoko was busy. So, I stayed home to help. Shirley Oh really, you don t say. So, is Nunna feeling better now? Lelouch A bit. Madam president, those papers? Milly All right. Make sure you organize all of them by year and class, OK? Lelouch Yeah, I will. You have a talent for ordering people around. Milly He he. And you are a great subordinate. Lelouch Subordinate? Huh, I guess that s what I am. Shirley Oh, madam president! You nearly gave me a heart attack doing that! Huh?! Oh, where is my tickets? HUH!! Lelou! Lelouch What is it? Shirley Ah... Um... Is my dad s letter mixed up with that paperwork? Lelouch Huh? Oh, sorry. Huh? What s wrong? Shirley Ah! Lelou! Lelouch Shirley? C.C. Ah? Stop being so suspicious. That s hardly the case. To me, he is nothing more than a ... Shirley Ah huh huh huh hu... I did it! I actually really did it! So, now what happens? He ll come, right? I mean he didn t say no. Then again... N-n, he is just coming with me to a little concert. So, it s not big thing but still it s a chance. Huh... Thank you, father. Ah? Ohgi Kyoto praised us for using the Guren Mk-II so well. I thought that was encouraging. Kallen But there was the white armor. Tamaki Don t sweat it. It was a tie, right? A tie! Ha-ha-ha-ha-ha! A-ha-ha-ha-ha! Lelouch Why would Shirley just out of the blue? Shirley My dad works where really long away from here. But he likes to send me great staff like this to keep my spirits up, you know? So, I was just wondering... Ohgi Here. Lelouch Hmm? What s this? Ohgi A love letter. Lelouch Oh? From you? Tamaki A-ha-ha-ha-ha! And they say you have no sense of humor. A-ha-ha-ha-ha-ha! Kallen You laugh too much. Ohgi It s an official letter form Kyoto. They urgently request a meeting. Lelouch Is this really such a big deal? Kallen A big deal?! It s Kyoto! Ohgi If they accept us it means funding and support. It could solve our financial crisis. Lelouch Crisis?! Ohgi Ugh...! Lelouch There shouldn t be any problem if you are following the budget I laid out. Ohgi Oh, well... Tamaki Hey! It s not my fault! We re turning into a big organization now! That means new expenses, you know! Kallen Like French dinners for the new recruits so you can show off? Tamaki Hey, you?! Kallen I know where you ve been taking them, big spender? Tamaki Uh-ugh?! You know about it?! Lelouch Huh... We ll put Ohgi in charge of the treasury for now. Tamaki Hold it right there! I m the one that s in charge of the cash! That s my job! Lelouch If you want me to trust you then show me some results. Tamaki Did you actually just say trust a guy who hides his face from his own partners?! Sugiyama Huh? Tamaki How about it Zero, Huh?! Ohgi Hold on... That s a... Kallen Zero is not the problem here. Who cares who he is? He had the skill to outwit Cornelia, didn t he? That s why he is the leader of the Black Knights. Do you really need to know more? Tamaki Gee...! Nunnally Nina? Is that you? If you are not feeling well, then... Nina Oh no. It s nothing. Don t worry about it. Tamaki Huh... So, what do we do? Ohgi I don t know. Minami We were in Naoto s unit. Sugiyama I don t mind about his kid sister Kallen but... Tamaki You were next in line to be leader. Ohgi No one said that at Narita. Inoue Cause Zero practically forced us. Yoshida We are the senior commanders and he keeps secrets from us. Ohgi Huh... Lelouch I ve narrowed it down to twelve possibilities. Now let s see which bets pay off. For that I ll have to meet them face to face... (knock-knock) Lelouch Hm? Who is it? Kallen It s me. Um... I m sorry if I was out of line when I spoke up back there. Lelouch Kallen, tell me. Do you wanna know my identity as well? Kallen Hmm... That girl knows, doesn t she...? Hmm... No, sorry to bother you. Nunnally Lelouch? Lelouch Huh...! Huh... Looks like your fever s gone? Nunnally Maybe I was just a little moody. Lelouch Moody? Nunnally Huh... It just seems to me lately that you ve become a little distant like you have other things weighing on your mind. Lelouch Huh...! Nunnally Huh. Perhaps my body just did this on its own to get your attention. Huh. Lelouch You re wrong. I haven t changed. No matter what, I ll always be at your side, Nunnally. Nunnally So then, can I be a little selfish now? Please hold my hand just a little bit longer. If I fall asleep alone, I m afraid I ll have that dream again. C.C. You are serious? You are asking me for a favor? Lelouch Yes, I got the idea from something that you said. No matter what Kyoto s intentions are I want their power. C.C. Is that what you truly wish for? If it s at the very core of your reason for living then I ll try to help you. Lelouch Then do it. C.C., I need you. C.C. Hmm, I understand. By the way, you forgot something. Lelouch Huh?! I didn t forget! I don t know when I ll be back tonight so I was planning to call her and cancel. C.C. Stick to your contract. Huh? (Pi-Pi-Pi-Pi-Pi) Lelouch It s me. Oh good timing, I wanted to call. You see... Shirley Um... Listen, Lelou? Lelouch Huh? Shirley I know I made a date with you but I may be late. Lelouch Huh... Shirley Sorry, but anyway, I m sure it ll be fine, really. Hmm, but I promise you that I ll be there. Man Please bring your command staff along as for my master s instruction, understood? Lelouch They are patrolling the perimeter in case of any unpleasant contingencies. I ll call them soon. However before I do... Britannian Army Severely damaged corpses should be brought to tent 2. Id [your ?] personal items. Bring remains with identifiable faces to tent 1. Note locations and times. Britannian Army Medical team 2 will arrive [and not tech support ?]. Transport personnel, report to tent 2. Suzaku Was it really her? Did I really see her there? And then... Just forget it. She doesn t show up in any of the data. Lloyd Dug enough bodies out of the landslide, yet? Suzaku Hmm... I d like to continue recovery operation if that s possible. Lloyd Be my guest till it ll out of your system. Considering Princess Cornelia is pleasure to indulge you. Suzaku Hmm... Ah, Lloyd, Zero and the Black Knights what are they trying to do? What do they hope to achieve by sacrificing all these lives? Lloyd They are knights for justice, haven t you heard? Suzaku Is this justice? Lloyd Hey hey, I hope you are not going to start spouting some embarrassing theory about the nature of justice. We are soldiers, after all. Suzaku Huh. Hmm? Cecile Oh Suzaku, I replaced the energy filler for you. Suzaku Ah... OK. Lloyd Cecile. Cecile I checked the units including the purebloods. Lloyd And I was right, wasn t I? Cecile Yes, a radiant surge. Lloyd Rakshata. I never thought she d work with our enemies. Cecile Plus their pilot was extremely skilled. Suzaku s mental status is so unstable now. If we have to fight that Knightmare again... Lloyd You don t think it could win? Against my dear Lancelot? Tamaki This is taking too long. When do we get there? Kallen Ah, could you chill out? You are embarrassing. Tamaki Hm. What the hell? Kallen We are going up? Man Sorry for the inconvenience. The master is waiting for you. Sugiyama Huh...! Tamaki Wow...! Ohgi This is... the Fuji mines? Tamaki That is not possible. There s no way we could be here. Kallen It has to be Mt.Fuji! There is only one mountain like this. Tamaki That means the Sakuradite is right below us? The damn treasure that caused this whole war. You know, what they do to intruders here? Execute them! Ohgi The power of which is all the way up to here? Kyoto group is amazing. Kirihara It s repulsive. Mount Fuji, a sacred mountain once known for its clear water and quiet beauty. Now it is bent to the empire s will, a place of hideous violation. Our reflection of what Japan has become. It [plings ?] me so. I apologize for not showing my face. But, Zero, your face is hidden as well. Unfortunately, I cannot allow this. To trust you, I must know who you are. Therefore you will show me your face. Kallen Please wait! Zero has given us power and victory. That should be... Kirihara Silence! Now which of you is Ohgi? Ohgi Huh...! That s me. Kirihara You will remove Zero s mask. Kallen Ohgi! Ohgi I m sorry Zero, but we need a reason to put our faith in you, too. So help us to put our trust in you. Tamaki Huh?! A woman? Ohgi It can t be! Kallen It s not! This isn t Zero. I saw her before. She was with Zero after Narita. Kirihara You there, girl, is this true? C.C. It is. Kirihara So you are not Japanese? C.C. Correct, clan chief of Kyoto, Taizo Kirihara. Man Huh!? Anyone who can identify him must die. Man Especially one who is not Japanese! Tamaki Hey, hold on! I m not part of this! Lelouch You are soft and your methods and thinking are out dated. That is why you ll never win! Kallen Zero? Man When did you...? Huh! Man Hold on! He can fire at us with that remote. Everyone, stay back! Don t make a move! Lelouch Taizo Kirihara, founder of Kirihara Industry which has monopoly on Sakuradite mine, formerly a key backer of the Kururugi regime. However, when Japan fell, you dodged the tribunals by collaborating with the colonial rulers. Commonly known as Kirihara the traitor. In reality, you are one of the leaders of the Six Houses Of Kyoto, who support resistance groups throughout Japan, a double agent. How cliche. Man Show some respect, you swine! Kirihara Stop! Lelouch N-Hu-Hu-Hu... It s as you guessed though, I am not Japanese! Tamaki Is he serious? No wonder he never showed his face. Kirihara If you are not Japanese, why do you fight for Japan? What is it that you want? Lelouch The destruction of Britannia. Kirihara And so, do you believe that this is possible, that you can do it? Lelouch I can, because I must. I have reasons which compel me execrably. I m glad I m dealing with you. Kirihara You... Lelouch It s been a long time, Lord Kirihara. Kirihara Is it really you? It s eight years since I finally received you as a hostage. Lelouch Yes. And I appreciate you taking care of me then. Kirihara If I hadn t come tonight, were you planning to take our messengers as hostages? Lelouch Not at all. I came to ask for your help. That s all I m seeking from you. Kirihara So the flower planted eight years ago has finally bloomed. Tamaki I can t see him! Kirihara Ohgi! Ohgi Yes! Kirihara This man is a true model enemy of Britannia. His face must remain hidden for vital reasons. I urge you to follow Zero. And I guarantee that if you do, we will assist you generously with intelligence and strategic support. Ohgi We thank you. Lelouch I am grateful, Lord Kirihara. Kirihara Are you embarking on the path of blood? Lelouch Indeed, if that is my destiny. Villetta Yes, the spelling of Fenette matches this one. I m afraid this is him. I m sorry you had to learn about it like this. Shirley s mother It s all right... Man Can you please identify the body? Lelouch Of course, it s too late already. Anyway, things are finally moving forward. Now the Black Knights will operate as I envisioned. Lelouch I m sorry I was late. I thought you d already be back home by now. Anyway, never mind that. Come on, let s go some place to get out of the rain now. Shirley Lelou, tell me. Zero, he fights for the weak, doesn t he? Lelouch What? Yeah, well, that s what he says. Shirley Then, then... why did he kill my father? You know my father. He was so gentle. He never ever hurt me. He didn t do anything wrong. But he was buried alive. He couldn t... breath... why... why did my father have to die? I... don t want this. No... Please, Lelou... help me. Yes, I understand my actions have consequences. I know that now. So why? It d be so easy to vanish from the stage, just stop being Zero. If I can keep Kirihara quiet, I can go back to be merely Lelouch Lamperouge. But, even so!
https://w.atwiki.jp/memo77/pages/26.html
PageLastUpdate 2012-07-05/today - /yesterday - 印刷時のみ適用するcss ありがちな間違い tDiaryテーマとはてなテーマDOCUTYPE宣言ではまった はてなのメニュー部分ではまった wikiで使うための数値実体参照 Internet Explorer Developer Toolbar あなたのページを最速にする14の掟 よく使うサイト comment とにかく基本はAnother HTML-lint gatewayで自分のサイトをチェックして、ダメなところを徹底的に潰すこと。これをやってるうちに、少しづつ知識がついてくる。 印刷時のみ適用するcss とりあえず＠ウィキのこのデザインで印刷時に余計な要素を表示させないサンプル 2012/07/05 @media print { form {display none; } .noprint {display none; } .ddsmoothmenu {display none; } .header {display none; } .footer {display none; } .ads {display none; } #body-footer {display none; } .outer { border-left none; border-right none; } body { font 8pt serif; }} ありがちな間違い スクリプトでcgi呼び出すときに、パラメータ中に?a=1 b=2みたいな記述があるときに を にし忘れる。 tDiaryテーマとはてなテーマ 2007/05/01 なんかtDiaryのテーマとか選んでいるうちに、いじらざるを得なくなってきた。せっかくなので勉強しよう。 tDiaryテーマの作り方 http //www.tdiary.org/doc/HOWTO-make-theme.html テーマ向けHTMLの構造図解 http //tnat.net/img/tdiary_css.png テーマ別によるスタイルシートサンプル http //joram.agz.jp/hatena/theme_body.html#link DOCUTYPE宣言ではまった 2007/05/04 検索語：はてなダイアリー/スキン/テーマ/デザイン/tdiary/崩れる adiareyとimg0chに同じテーマを指定しても同じにならない。adiaryははてなとほぼ同じになるけどimg0chが崩れます。 要素を一個一個つぶしていっても直らない。まったく同じ構造までたどり着いて、img0chのDOCUTYPE宣言にloose.dtdがついてるのに気が付く。 adiary/はてな !DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN" img0ch !DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN" "http //www.w3c.org/TR/1999/REC-html401-19991224/loose.dtd" tDiary !DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.01//EN" "http //www.w3.org/TR/html4/strict.dtd" で、これが原因でしたorz そっかー、dtdのあるなしで標準モードと互換モードというのがあるのね。勉強になった・・・ http //desperadoes.biz/style/mode.php 追記：と思ったら、tDiaryはTransitionalじゃなくてstrict.dtdがついてる。これはデザインの共有で問題にならないのかしらん？ さらに追記：img0chのテンプレートや吐き出されてるのは !DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.1//EN" だった。なんで勘違いしたかというと、IEからHTMLとして保存すると、自動的に !DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN" "http //www.w3c.org/TR/1999/REC-html401-19991224/loose.dtd" になるようだ。 はてなのメニュー部分ではまった はてなの一番上のメニュー部分はテーマによって違うらしい。テーブルレイアウトでくるときとそうじゃないときがあるよ。 たぶん古い table border="0" width="100%" cellspacing="0" cellpadding="0" id="banner" ... たぶん新しい div id="simple-header" ... wikiで使うための数値実体参照 2007/05/05 HTMLで使える文字実体参照 http //www.ne.jp/asahi/minazuki/bakera/html/reference/charref 文字 数値実体参照 用途 | | テーブル中で|を書く必要があるとき Internet Explorer Developer Toolbar 2007/05/11 Webページの構造を検証できるMicrosoft純正IE用プラグイン。 http //www.forest.impress.co.jp/article/2007/05/11/iedevtoolbar.html あなたのページを最速にする14の掟 http //blog.livedoor.jp/dankogai/archives/50828720.html HTTPリクエストは最小限に - Make fewer HTTP requests CDNを活用 - Use a CDN Expiresヘッダを利用 - Add an Expires header コンテンツはGzipせよ - Gzip components CSSは上に - Put CSS at the top JSは下に - Move JS to the bottom CSSのexpressionの利用は控えよ - Avoid CSS expressions JSとCSSは外部化せよ - Make JS and CSS external DNS参照を抑えよ - Reduce DNS lookups JSを「縮刷」せよ - Minify JS リダイレクトは控えよ - Avoid redirects スクリプトの重複を削除せよ - Remove duplicate scripts ETagはオフにせよ - Turn off ETags AJAXを小さくしてキャッシュ可能にせよ - Make AJAX cacheable and small よく使うサイト HTML鳩丸倶楽部 http //www.ne.jp/asahi/minazuki/bakera/html/hatomaru comment このページの記述で聞きたいこととか間違ってることとかありましたらコメントを。 名前 コメント すべてのコメントを見る
https://w.atwiki.jp/marketresearch/pages/14.html
Research Analysis The market research report profiles well-balanced information with previous as well as future results with an aim to offer a better understanding of the Recycled Thermoplastic Market. The market report further offers an in-depth view of the leading factors that are related to increasing the demand growth for Recycled Thermoplastic Market. Not only this but also in this study the readers can get an in-depth report of the possibilities in combination with the latest trends in the targeted market. It is also a detailed combination of 10 years old qualitative and quantitative analysis of the industry that has been presented in the report with an aim to help the market players to increase maximum profit in the sector. The market research report also provides information on the record of individual sales records that are made with the expected revenue over the forecast period. This research report provides an extensive examination of all the related segments present in the industry. Moreover, it throws light on the recent development as well as the opportunity is that is going on in the Recycled Thermoplastic Market. Get a Sample PDF File@ https //www.quincemarketinsights.com/request-sample-88267?pu Market Report Features Overview Of The Market Report The market research report offers a detailed quantitative as well as qualitative overview of the market for Recycled Thermoplastic Market on the basis of area, category, product, competitors, and application. In terms of expanded coverage, the market report is further extended in terms of end-user market analysis and the comprehensive producer profile. Market Segmentation Of Recycled Thermoplastic Market Market The market segmentation of the Recycled Thermoplastic Market is done on the basis of technology, product type, application, distribution channel, and end-user. Geographical segmentation is also being done to get valuable insights into the Recycled Thermoplastic Market. Geographical Analysis Doing the geographical analysis is very important to know about the broad feature of the market. In this section, the readers can get a comprehensive analysis of the Recycled Thermoplastic Market based on the geographical location. This section throws light on the demand and sales output for the Recycled Thermoplastic Market at the national and international levels. The study is being done taking into account some of the major geographic regions such as North America, Europe, Asia Pacific, South America, Middle East, and Africa. Make an Enquiry for purchasing this Report @ https //www.quincemarketinsights.com/enquiry-before-buying/enquiry-before-buying-88267?pu Market Key Highlights The market report on the Recycled Thermoplastic Market is a summary of the current market situation for the Recycled Thermoplastic Market. Moreover, the analysis provides information regarding the newly launched product and also the products that are to be launched during the forecast period. The study also includes minute details regarding market share, segment, trends, growth and forecast W Plastics, Plastipak Holdings, Inc., PARC Corporation, Clear Path Recycling, B. Schoenberg and Co., Custom Polymers Inc., RJM International Inc., Suez SA, Merlin Plastics Alberta Inc., Ricova International Inc. Quince Market Insights Top Trending Research Report* https //qmi189135117.wordpress.com/2022/09/16/cumene-sulfonic-acid-market-size-industry-growth-rate-global-share-upcoming-trends-leading-players-products-and-services-overview-forecast-to-2032/ https //qmi189135117.wordpress.com/2022/09/16/3-hexenyl-salicylate-market-key-findings-growth-prospects-and-size-by-country-top-manufacturer-expansion-plans-and-business-strategy-forecast-to-2032/ https //qmi189135117.wordpress.com/2022/09/16/ethylene-glycol-monostearate-market-trends-growth-size-swot-analysis-opportunity-assessment-by-forecast-to-2021-drivers-and-applications-are-pertinent-for-sustenance-during-the-forecast-period-20/ Details Contained In The Recycled Thermoplastic Market Report 2021 Market Overview 1.1 Market Introduction 1.2 Market Analysis By Type 1.2.1 Type 1 1.2.2 Type 2 1.3 Market Analysis By Applications 1.3.1 Application 1 1.3.2 Application 2 1.4 Market Analysis by Regions 1.4.1 North America 1.4.2 Europe 1.4.3 Asia Pacific 1.4.4 South America 1.4.5 the Middle East and Africa Market Scope Market Segmentation by type, application, end-users and regions Market Size estimation Market Competition Key Market Leaders Conclusions The market research report offers a detailed study of the Recycled Thermoplastic Market which include market shares, size and growth opportunities by applications, product types and geographic regions. Not only this but also the report also contains a detailed summary of the leading market players. The experts have also mentioned the market growth, threats, opportunities and risks. About Us QMI has the most comprehensive collection of market research products and services available on the web. We deliver reports from virtually all major publications and refresh our list regularly to provide you with immediate online access to the world’s most extensive and up-to-date archive of professional insights into global markets, companies, goods, and patterns. Contact us Quince Market Insights Phone +1 208 405 2835 Email sales@quincemarketinsights.com Website https //www.quincemarketinsights.com/
https://w.atwiki.jp/oper/pages/599.html
ACTE TROISIÈME 1er Interlude Rideau. Dans la Sierra, le crépuscule commence rouge, magnifique. Fourrés à droite et à gouche. Profils vagues de montagnes. Don Quichotte, contemplé par Sancho tenant par la bride Rossinante et le Grison, regarde attentirement les traces du chemin. DON QUICHOTTE s écriant radieux C est ici le chemin que prennent les bandit… Quand ils rentrent dans leur taudis… C est ici! se relevant Détèle le Grison, desselle Rossinante, les caressant Peut-être fatigués par notre course ardente! Don Quichotte embrasse le museau de son cheval. SANCHO très peu rassuré Ce lieu dégage une épouvante Qui hérisse mon poil et celui du Grison. Il tire les animaux au dehors dans un pré. Allez, mes chers agneaux, brouter l épais gazon! DON QUICHOTTE tendant l index Ne vois-tu rien qui bouge au fond de la clairière? SANCHO poltron, prêt à fondre en larmes Seigneur, je voudrais, bien revenir en arrière! Maître, j ai peur de l ombre et des bruits angoissants Dont s emplissent la brande et les bois frémissants? Que va-t-il se passer? DON QUICHOTTE héroïque Quelque chose d immense! Sancho? notre gloire commence! solennel Les preux, les paladins et les héros passés Vont être en un clin d oeil oubliés, éclipsés. Je bous d impatience héroïque et de fièvre. SANCHO Et moi, je tremble comme un lièvre, je tremble? la voix tremblée Je tremble changeant de ton Mais… si l on s asseyait un brin? Je suis fourbu… Non d avoir trop mangé, trop bu! DON QUICHOTTE stupèfait S asseoir! Un chevalier qui tente l aventure Doit toujours paraître en posture De déjouer la ruse et de parer le coup. SANCHO s allongeant sur l herbe Je vous laisse le soin de veiller sur mon cou Qu on ne le tranche point, seigneur, à l imporviste! DON QUICHOTTE Sois tranquille. SANCHO en s allongeant davantage Je dors, vous… restez sur la piste. Le ciel devient plus sombre. Harassé de fatigue, Don Quichotte s est endormi debout, appuyé sur sa lance. DON QUICHOTTE en riant Quand apparaissent les étoiles… Bruit de pas DON QUICHOTTE se réveillant et envoyant un baiser au ciel O mes rêves divins… soudain il sursaute et regarde l horizon Cette fois, ce sont eux! Don Quichotte joyeux et fier. Ils sont plus de deux cents, fils! SANCHO piteux, tremblant; il se signe Et nous sommes deux! DON QUICHOTTE Nous les vaincrons, s il plaît à la cause servie. SANCHO fou de terreur Maître, j ai les bas courts et je tiens à la vie! DON QUICHOTTE riant Va te cacher, au plus noir des forêts! SANCHO en se saurant Ah! si j avais moins peur quel héros je ferais! Ils disparaît. DON QUICHOTTE d une voix tonitruante, aux brigands, qui sont en face de lui Halte-là! rendez-vous, gens de peu, valetaille! Bataille LE CHEF Voilà, certes, un gaillard d une audace superbe! Si nous avions été brins d herbe, Il nous eût fauchés du coupant de son fer! Mais d où vient-il? Du purgatoire ou de l enfer. UN BANDIT A quelle sauce allons-nous mettre sa chair rance? Le chef s immobilise à l écart et ne quitte plus des yeux Don Quichotte. 2d BANDIT Remarque son indifférence. 1er BANDIT à Don Quichotte Indique-nous ton choix. Silence. Don Quichotte hausse les épaules sans répondre. 3e BANDIT le bousculant Nous feras-tu l honneur De répondre aux larrons que nous sommes, Seigneur? Silence hautain de Don Quichotte. 1er BANDIT le souffletant Voilà pour ta morgue imbécile. hilarité général 4e BANDIT Voilà qui te rendra la langue plus facile. LE CHEF énervé Il faut en finir! Saignez-le, brûlez-le, Pendez-le qu on m évite Le trouble où son regard me plonge… Faites vite! Quelques bandits allument un feu. Les autres bandits chantent et dansent autour de Don Quichotte, impassible et calme, que le chef contemple avec stupeur. LES BANDITS Ah! voir un corps long comme un jour sans pain, Prendre à la branche d un pin, d un pin ,d un pin, Est un spectacle cocasse! rire féroce …ah! ah! ah! Le repas fait avec sa carcasse, Sera pour les corbeaux un plus maigre régal Qu un corps d hidalgo colossal. féroce Ha!! Ha!! Ha!! DON QUICHOTTE les mains jointes; loin de tout Seigneur, reçois mon âme, elle n est pas méchante, Et mon coeur est le coeur d un fidèle chrétien. dolce Que ton oeil me soit doux et ta face indulgente! Etant le chevalier du droit, je suis le tien. Le chef est visiblement ému. Don Quichotte est calme. Les bandits se regardent confondus, interdits. LE CHEF d une voix grave Vraiment je crois rêver, voyant ta face pâle, Tes grands traits émouvants d où le divin s exhale Et tes yeux fulgurants de sublimes clartés! Où vas-tu? Que veux-tu? DON QUICHOTTE fièrement Je suis le chevalier errant… et qui redresse Les torts; un vagabond inondé de tendresse Pour les mères en deuil, les gueux, les opprimés, Pour tous ceux qui du sort ne furent pas aimés. enthousiaste Je suis fou de soleil ardent, d air pur, d espace! simple J adore les enfants qui rient lorsque je passe, de belle humeur Et ne déteste point les bandits, quand ils ont De la force au garret et de l orgueil au front. D un effort il brise ses lients, puis dresse sa grande taille. Et me voici debout, jouant un nouveau rôle. ample Libre dans mon effort comme dans ma parole; Et je vous dis ceci, moi, le haut chevalier C est qu il faut grand, fort, calme À l instant me rendre le collier Pris au cou délicat sensible, tendre D un femme adorée. hautement Le joyau, lui, n est rien, mais la cause est sacrée. LE 1er BANDIT avec une émotion indicible Ah! je me sens trembler! LE CHEF retire de sa ceinture le collier; se découvrant et mettant un genou en terre; il remet le collier à Don Quichotte Voici! Le joyau dérobé, Monseigneur! DON QUICHOTTE très simplement Bien, merci. LES BANDITS Le Chef avec les Barytons. Les bandits s agenouillant à leur tour, avec recueillement Et maintenant sur nous, placez votre main pure, O noble chevalier de la Longue Figure! DON QUICHOTTE Viens, Sancho, rustre, au coeur timoré, Viens voir le miracle opéré! Viens! D une voix éclatante; éclairé par l éclat du feu allumé par les bandits, sa tête auréolée d un dernier rayon. Sancho sort timidement de l ombre. Don Quichotte se montre dans une fièvre de sublime exaltation. Les manants, les pillards, fils du Vol et du Crime, Ceux que la peur redoute, et que la force opprime, Les sans logis, les gueux aux rires menaçants, Ont deviné mon but, en ont saisi le sens! Courbés sous l âpre vent qui vient des cimes hautes, Tremblants d un grand frisson, regarde-les mes hôtes, Les élus de mon coeur, mes fils prédestinés, Vois-les, mes fils, Comme ils sont beaux, dociles, fascinés! LES BANDITS Sur nous placez votre main pure, O notre chevalier! Don Quichotte est radieux, les mains étendus en avant comme pour bénir les bandits Rideau. ACTE TROISIÈME 1er Interlude Rideau. Dans la Sierra, le crépuscule commence rouge, magnifique. Fourrés à droite et à gouche. Profils vagues de montagnes. Don Quichotte, contemplé par Sancho tenant par la bride Rossinante et le Grison, regarde attentirement les traces du chemin. DON QUICHOTTE s écriant radieux C est ici le chemin que prennent les bandit… Quand ils rentrent dans leur taudis… C est ici! se relevant Détèle le Grison, desselle Rossinante, les caressant Peut-être fatigués par notre course ardente! Don Quichotte embrasse le museau de son cheval. SANCHO très peu rassuré Ce lieu dégage une épouvante Qui hérisse mon poil et celui du Grison. Il tire les animaux au dehors dans un pré. Allez, mes chers agneaux, brouter l épais gazon! DON QUICHOTTE tendant l index Ne vois-tu rien qui bouge au fond de la clairière? SANCHO poltron, prêt à fondre en larmes Seigneur, je voudrais, bien revenir en arrière! Maître, j ai peur de l ombre et des bruits angoissants Dont s emplissent la brande et les bois frémissants? Que va-t-il se passer? DON QUICHOTTE héroïque Quelque chose d immense! Sancho? notre gloire commence! solennel Les preux, les paladins et les héros passés Vont être en un clin d oeil oubliés, éclipsés. Je bous d impatience héroïque et de fièvre. SANCHO Et moi, je tremble comme un lièvre, je tremble? la voix tremblée Je tremble changeant de ton Mais… si l on s asseyait un brin? Je suis fourbu… Non d avoir trop mangé, trop bu! DON QUICHOTTE stupèfait S asseoir! Un chevalier qui tente l aventure Doit toujours paraître en posture De déjouer la ruse et de parer le coup. SANCHO s allongeant sur l herbe Je vous laisse le soin de veiller sur mon cou Qu on ne le tranche point, seigneur, à l imporviste! DON QUICHOTTE Sois tranquille. SANCHO en s allongeant davantage Je dors, vous… restez sur la piste. Le ciel devient plus sombre. Harassé de fatigue, Don Quichotte s est endormi debout, appuyé sur sa lance. DON QUICHOTTE en riant Quand apparaissent les étoiles… Bruit de pas DON QUICHOTTE se réveillant et envoyant un baiser au ciel O mes rêves divins… soudain il sursaute et regarde l horizon Cette fois, ce sont eux! Don Quichotte joyeux et fier. Ils sont plus de deux cents, fils! SANCHO piteux, tremblant; il se signe Et nous sommes deux! DON QUICHOTTE Nous les vaincrons, s il plaît à la cause servie. SANCHO fou de terreur Maître, j ai les bas courts et je tiens à la vie! DON QUICHOTTE riant Va te cacher, au plus noir des forêts! SANCHO en se saurant Ah! si j avais moins peur quel héros je ferais! Ils disparaît. DON QUICHOTTE d une voix tonitruante, aux brigands, qui sont en face de lui Halte-là! rendez-vous, gens de peu, valetaille! Bataille LE CHEF Voilà, certes, un gaillard d une audace superbe! Si nous avions été brins d herbe, Il nous eût fauchés du coupant de son fer! Mais d où vient-il? Du purgatoire ou de l enfer. UN BANDIT A quelle sauce allons-nous mettre sa chair rance? Le chef s immobilise à l écart et ne quitte plus des yeux Don Quichotte. 2d BANDIT Remarque son indifférence. 1er BANDIT à Don Quichotte Indique-nous ton choix. Silence. Don Quichotte hausse les épaules sans répondre. 3e BANDIT le bousculant Nous feras-tu l honneur De répondre aux larrons que nous sommes, Seigneur? Silence hautain de Don Quichotte. 1er BANDIT le souffletant Voilà pour ta morgue imbécile. hilarité général 4e BANDIT Voilà qui te rendra la langue plus facile. LE CHEF énervé Il faut en finir! Saignez-le, brûlez-le, Pendez-le qu on m évite Le trouble où son regard me plonge… Faites vite! Quelques bandits allument un feu. Les autres bandits chantent et dansent autour de Don Quichotte, impassible et calme, que le chef contemple avec stupeur. LES BANDITS Ah! voir un corps long comme un jour sans pain, Prendre à la branche d un pin, d un pin ,d un pin, Est un spectacle cocasse! rire féroce …ah! ah! ah! Le repas fait avec sa carcasse, Sera pour les corbeaux un plus maigre régal Qu un corps d hidalgo colossal. féroce Ha!! Ha!! Ha!! DON QUICHOTTE les mains jointes; loin de tout Seigneur, reçois mon âme, elle n est pas méchante, Et mon coeur est le coeur d un fidèle chrétien. dolce Que ton oeil me soit doux et ta face indulgente! Etant le chevalier du droit, je suis le tien. Le chef est visiblement ému. Don Quichotte est calme. Les bandits se regardent confondus, interdits. LE CHEF d une voix grave Vraiment je crois rêver, voyant ta face pâle, Tes grands traits émouvants d où le divin s exhale Et tes yeux fulgurants de sublimes clartés! Où vas-tu? Que veux-tu? DON QUICHOTTE fièrement Je suis le chevalier errant… et qui redresse Les torts; un vagabond inondé de tendresse Pour les mères en deuil, les gueux, les opprimés, Pour tous ceux qui du sort ne furent pas aimés. enthousiaste Je suis fou de soleil ardent, d air pur, d espace! simple J adore les enfants qui rient lorsque je passe, de belle humeur Et ne déteste point les bandits, quand ils ont De la force au garret et de l orgueil au front. D un effort il brise ses lients, puis dresse sa grande taille. Et me voici debout, jouant un nouveau rôle. ample Libre dans mon effort comme dans ma parole; Et je vous dis ceci, moi, le haut chevalier C est qu il faut grand, fort, calme À l instant me rendre le collier Pris au cou délicat sensible, tendre D un femme adorée. hautement Le joyau, lui, n est rien, mais la cause est sacrée. LE 1er BANDIT avec une émotion indicible Ah! je me sens trembler! LE CHEF retire de sa ceinture le collier; se découvrant et mettant un genou en terre; il remet le collier à Don Quichotte Voici! Le joyau dérobé, Monseigneur! DON QUICHOTTE très simplement Bien, merci. LES BANDITS Le Chef avec les Barytons. Les bandits s agenouillant à leur tour, avec recueillement Et maintenant sur nous, placez votre main pure, O noble chevalier de la Longue Figure! DON QUICHOTTE Viens, Sancho, rustre, au coeur timoré, Viens voir le miracle opéré! Viens! D une voix éclatante; éclairé par l éclat du feu allumé par les bandits, sa tête auréolée d un dernier rayon. Sancho sort timidement de l ombre. Don Quichotte se montre dans une fièvre de sublime exaltation. Les manants, les pillards, fils du Vol et du Crime, Ceux que la peur redoute, et que la force opprime, Les sans logis, les gueux aux rires menaçants, Ont deviné mon but, en ont saisi le sens! Courbés sous l âpre vent qui vient des cimes hautes, Tremblants d un grand frisson, regarde-les mes hôtes, Les élus de mon coeur, mes fils prédestinés, Vois-les, mes fils, Comme ils sont beaux, dociles, fascinés! LES BANDITS Sur nous placez votre main pure, O notre chevalier! Don Quichotte est radieux, les mains étendus en avant comme pour bénir les bandits Rideau. Massenet,Jules/Don Quichotte/ActⅣ
https://w.atwiki.jp/witcher/pages/55.html
ストーリー “Heed my words, for here comes the age of the sword and the axe, the age of the wolfish storm. Here comes the Time of the White Cold and White Light, the Time of Madness and Contempt, Tedd Deiradh, the Time of Ending. And the world will die away slow, frozen in ice and covered with snow…” -- The Prophecy of Ithlinne Aegli aep Aevenien The atrocities of war are only bettered by those of its aftermath, when those unfortunate to have survived are not aware of the ruin and devastation to come. Having barely repulsed the armies of the South, the Northern Kingdoms fell into an unwarranted state of self-awe -- spurning the alliances of yesterday and regaining their forlorn propensity to bicker amongst themselves; they readily level the tips of their swords at each others’ throats in wanton accusations of treason, and all the while the enemy regroups and rejuvenates. And where do you enter this picture, you ask? According to official reports, you’re dead -- killed by the very people you sought to protect during one of the non-humans pogroms. As you can see, my friend, it does not always pay to protect the oppressed -- in particular if your only motivation for doing so is based on moral conscience. It will take more than a nation-wide revolt to dispatch you to the afterlife. But you may be wandering how it is that you suddenly reappeared? This is something you will discover in due course. For the time being, there are more pressing matters in hand -- an organized band of aggressors has somehow found the Witchers’ mountain stronghold of Kaer Morhen and begun its assault in an attempt to appropriate the dangerous knowledge of Witcher elixirs. Your brethren will call upon you to defend your clandestine heritage, for the mass production of such potions would mean nothing less than doom for the common people who take them. So, you will begin an investigation that will lead you to discover both yourself and information that will also prove deadly. I wonder, how soon will you begin to regret returning from the dead? （http //www.thewitcher.com/community/en/game/story.html より引用） ------------------------------------------------------------ ＊意訳です 「よく聞きなさい、剣と斧の時代、荒れ狂う騒乱の時代がやがて訪れるでしょう。 白い冷気、白い光、狂気と侮蔑、Tedd Deiradh、終わりの時が。 世界はゆるやかに死に行き、雪に覆われ、氷に閉ざされるでしょう。」 -- Ithlinne Aegli aep Aevenien の予言 戦後の暴虐によって戦時中の暴虐がようやく鎮められる。 だが、不運にも生き残ってしまった者たちの中には、来るべき破滅と荒廃に気付く者はいない。 北方の王国（人間の国家）は南からの勢力を辛くも駆逐し、その結果、分不相応にも慢心に陥っている。 彼らは自らの傲りから戦時中の同盟を破棄し、さらに人間同士で哀れな小競り合いを始めている。 これという理由もなく反逆罪の疑いを互いに投げかけては、喉元に剣を突き付けている。 そのような慢心が、敵に軍の再編成と復活の猶予を与えているのだった。 公式な調査報告によれば、君（Geralt）は死亡したことになっている。 非人間への迫害から保護しようとして、あなたが探し出したまさにその者（Striga）によって殺されたと。 わかっているだろうが、こういう類の仕事が必ずしも割に合うとは限らない。 とりわけ仕事の動機が道義的な良心のみに基づいているような場合には。 ともあれ、全国規模以上の反乱でも起こらない限り、君が実際に死んでしまうことはない。 でも、どんな風にいきなり登場するのだろう？と君は思うかもしれない。まあそれはいずれわかる。 差し当たって重要なのは、Kaer Morhenにある山砦がどういう訳か侵略者の一味に目を付けられ、 witcher秘伝の霊薬に関する知識を手に入れようと襲撃を受けていることだ。 君は山砦の仲間から、その秘伝の遺産を守るように要請されることになる。 その霊薬が大量生産されれば、一般の人々に甚大な被害を与えかねないからだ。 かくして君は、侵略者の一味による事件の調査に乗り出す。 それは、君自身の発見と命取りになることがいずれ判明するだろう情報の発見へと続く。 命懸けの長い旅の始まりに言うのは恐縮だが、ここに生還してきたことを後悔しないように。
https://w.atwiki.jp/mrfrtech/pages/127.html
Market Scenario Market Research Future (MRFR), in its latest report on the global market for construction robots, reveals the likely market scenario in the study period and factors that can control the market across the forecast period 2018–2023. The global Construction Robot MarketSize is likely to rise at 17% CAGR in the forecast period 2018–2023. The construction robot value to touch USD 165 million in the assessment period. Novel coronavirus has Construction Robot Market Size to open new avenues for those firms that are on the lookout for solutions that are reliable, efficiently managed, scalable, and are subscription-based, to remain more focused on the core business. The Construction Robot Market is bearing lesser impact of the COVID-19 outbreak compared to most other segments of the tech world. The growing automation trend in the construction industry is expected to underpin the construction robot in the assessment period. The increase in automated construction solution for renovation, commercial construction, and demolition can boost the expansion of the market across the study period. In addition, the increase in safety concern for labours in disorganized and threating work environment is also boosting the adoption of construction robot, which, in turn, can support the market growth in the years ahead. Request a Free Sample @ https //www.marketresearchfuture.com/sample_request/6305 Competitive Outlook Alpine Sales and Rental (US), CyBe Construction (Netherlands), Cyberdyne (Japan), nLink (Norway), Komatsu (Japan), Husqvarna (Sweden), Brokk AB (Sweden), Esko Bionics (U.S.), TopTec Spezialmaschinen GmbH (Germany), Conjet AB (Sweden), Construction Robotics (U.S.) Autonomous Solutions (US), Fastbrick Robotics (Australia), Apis Cor (Russia), Yingchuang Building Technique Co. (WinSun) (China), MX3D (Netherlands), Giant Hydraulic Tech (China), Advanced Construction Robotics (US), and Beijing Borui Intelligent Control Technology (China) are some reputed dealers of Construction robots as listed by MRFR. Segmentation The segment evaluation of the construction robot market is done by automation, function, vertical, and design type. The design type-based segment of the construction robot are robotic arm, exoskeleton, and traditional robot. The rise in popularity of robotic arm construction robot due to advantages, such as ease of lifting heavy weights and slashing manual labor, can promote the expansion of the market in the years to come. The automation based segments of the construction robot market are semi-autonomous and fully autonomous. The high adoption of automated, followed by semi-autonomous robot can boost the expansion of the construction robot market through the analysis period. The function-based segments of the construction robot market are bricklaying, demolition, concrete structural erection, 3D printing, doors and windows installation, finishing work, and others. Increase in scope of 3D printing can impel the market rise. The vertical based segments of the construction robot market are commercial and residential buildings, public infrastructure, and nuclear dismantling and demolition among others. Other includes road and tunnel construction. Rise in building activates can boost the expansion of the market in the assessment period. Regional Analysis In APAC, the growing awareness about Construction robots and its benefits such as improvement safety, high quality, and rise in productivity can impel the expansion of the regional market through the review period. The availability of different type of construction robots that simplifies tasks in the construction sector can impel the expansion of the APAC market. The rise in the popularity of 3D-printing robots and launch of innovative prototypes can boost the expansion of the construction robot market in the North America. In Europe, the increase in buildings based on 3D models to construct complex design can prompt the regional market growth. In addition, advancements in industrial robotics and the use of implementation on UAV (unmanned aerial vehicles) across the US construction industry can support the expansion of the regional market. The feasibility of UAVs in capturing accurate data for large sites, site surveying, health and safety inspections, and accessing hazardous zones can support the expansion of construction robot market in the North America region. Table of Contents 1Executive Summary 2Scope of the Report 2.1Market Definition 2.2Scope of the Study 2.2.1Research objectives 2.2.2Assumptions Limitations 2.3Markets Structure Continued…. Browse Full Report Details @ https //www.marketresearchfuture.com/reports/construction-robot-market-6305 List of Tables Table1 Global Construction Robot Market By Country, 2020–2027 Table2 North America Construction Robot Market, By Country, 2020–2027 Table3 Europe Construction Robot Market By Country, 2020–2027 Continued… List of Figures FIGURE 1 Global Construction Robot Market Segmentation FIGURE 2 Forecast Methodology FIGURE 3 Porter’s Five Forces Analysis Of Global Construction Robot Market Continued… Similar Report B2B Telecommunication Market Information by Solution (Unified Communication and Collaboration), Deployment (Fixed, Mobile), Organization Size (Large, Enterprise), Application (Industrial, Commercial) and regions Trending #MRFR Report** https //ictmrfr.blogspot.com/2022/04/geofencing-market-companies-growth-with.html https //blogfreely.net/pranali004/telecom-expense-management-market-size-impressive-cagr-changing-business-scope https //postheaven.net/pranali004/financial-app-industry-impressive-cagr-changing-business-needs-scope-of https //market-research-future.tribe.so/post/openstack-service-market-research-impressive-cagr-changing-scope-of-current--6263de46791566c10c79891e https //www.scutify.com/articles/2022-04-24-infrastructure-as-a-service-industry-cagr-changing-business-scope-of-current-and-future-industry- About Market Research Future Market Research Future (MRFR) has created a niche in the world of market research. It is counted among the top market research companies that offer well-researched and updated market research reports and insights to businesses of all sizes. What sets us apart is our super-responsive team that offers quality work keeping clients abridged of the prospective challenges and opportunities in various markets. Our team is adept in their space as well as patiently listens to every client. The best part is they know their work inside out and possess the expertise to guide the client in the right direction and achieve results on a tight deadline. We are a one-stop solution for all your data research needs. Our team does not believe in the “one size fits all” approach to creating a report that is detailed and concise. We handle 13 industry verticals including Healthcare, Chemicals and Materials, Information and Communications Technology, Semiconductor and Electronics, Energy and Power, Food, Beverages Nutrition, Automobile, Consumer and Retail, Aerospace and Defense, Industrial Automation and Equipment, Packaging Transport, Construction, and Agriculture. With our unique approach for every market report, we aim to reach the zenith in qualitative business intelligence and syndicated market research. Contact Market Research Future (Part of Wantstats Research and Media Private Limited) 99 Hudson Street, 5Th Floor New York, NY 10013 United States of America 1 628 258 0071 (US) 44 2035 002 764 (UK) Email sales@marketresearchfuture.com Website https //www.marketresearchfuture.com
https://w.atwiki.jp/pyopyo0124/pages/30.html
CHAPTER XV UP CHAPTER XVII CHAPTER XVI Diana Is Invited to Tea with Tragic Results OCTOBER was a beautiful month at Green Gables, when the birches in the hollow turned as golden as sunshine and the maples behind the orchard were royal crimson and the wild cherry trees along the lane put on the loveliest shades of dark red and bronzy green, while the fields sunned themselves in aftermaths. Anne reveled in the world of color about her. "Oh, Marilla," she exclaimed one Saturday morning, coming dancing in with her arms full of gorgeous boughs, "I m so glad I live in a world where there are Octobers. It would be terrible if we just skipped from September to November, wouldn t it? Look at these maple branches. Don t they give you a thrill--several thrills? I m going to decorate my room with them." "Messy things," said Marilla, whose aesthetic sense was not noticeably developed. "You clutter up your room entirely too much with out-of-doors stuff, Anne. Bedrooms were made to sleep in." "Oh, and dream in too, Marilla. And you know one can dream so much better in a room where there are pretty things. I m going to put these boughs in the old blue jug and set them on my table." "Mind you don t drop leaves all over the stairs then. I m going on a meeting of the Aid Society at Carmody this afternoon, Anne, and I won t likely be home before dark. You ll have to get Matthew and Jerry their supper, so mind you don t forget to put the tea to draw until you sit down at the table as you did last time." "It was dreadful of me to forget," said Anne apologetically, "but that was the afternoon I was trying to think of a name for Violet Vale and it crowded other things out. Matthew was so good. He never scolded a bit. He put the tea down himself and said we could wait awhile as well as not. And I told him a lovely fairy story while we were waiting, so he didn t find the time long at all. It was a beautiful fairy story, Marilla. I forgot the end of it, so I made up an end for it myself and Matthew said he couldn t tell where the join came in." "Matthew would think it all right, Anne, if you took a notion to get up and have dinner in the middle of the night. But you keep your wits about you this time. And--I don t really know if I m doing right--it may make you more addlepated than ever--but you can ask Diana to come over and spend the afternoon with you and have tea here." "Oh, Marilla!" Anne clasped her hands. "How perfectly lovely! You ARE able to imagine things after all or else you d never have understood how I ve longed for that very thing. It will seem so nice and grown-uppish. No fear of my forgetting to put the tea to draw when I have company. Oh, Marilla, can I use the rosebud spray tea set?" "No, indeed! The rosebud tea set! Well, what next? You know I never use that except for the minister or the Aids. You ll put down the old brown tea set. But you can open the little yellow crock of cherry preserves. It s time it was being used anyhow--I believe it s beginning to work. And you can cut some fruit cake and have some of the cookies and snaps." "I can just imagine myself sitting down at the head of the table and pouring out the tea," said Anne, shutting her eyes ecstatically. "And asking Diana if she takes sugar! I know she doesn t but of course I ll ask her just as if I didn t know. And then pressing her to take another piece of fruit cake and another helping of preserves. Oh, Marilla, it s a wonderful sensation just to think of it. Can I take her into the spare room to lay off her hat when she comes? And then into the parlor to sit?" "No. The sitting room will do for you and your company. But there s a bottle half full of raspberry cordial that was left over from the church social the other night. It s on the second shelf of the sitting-room closet and you and Diana can have it if you like, and a cooky to eat with it along in the afternoon, for I daresay Matthew ll be late coming in to tea since he s hauling potatoes to the vessel." Anne flew down to the hollow, past the Dryad s Bubble and up the spruce path to Orchard Slope, to ask Diana to tea. As a result just after Marilla had driven off to Carmody, Diana came over, dressed in HER second-best dress and looking exactly as it is proper to look when asked out to tea. At other times she was wont to run into the kitchen without knocking; but now she knocked primly at the front door. And when Anne, dressed in her second best, as primly opened it, both little girls shook hands as gravely as if they had never met before. This unnatural solemnity lasted until after Diana had been taken to the east gable to lay off her hat and then had sat for ten minutes in the sitting room, toes in position. "How is your mother?" inquired Anne politely, just as if she had not seen Mrs. Barry picking apples that morning in excellent health and spirits. "She is very well, thank you. I suppose Mr. Cuthbert is hauling potatoes to the LILY SANDS this afternoon, is he?" said Diana, who had ridden down to Mr. Harmon Andrews s that morning in Matthew s cart. "Yes. Our potato crop is very good this year. I hope your father s crop is good too." "It is fairly good, thank you. Have you picked many of your apples yet?" "Oh, ever so many," said Anne forgetting to be dignified and jumping up quickly. "Let s go out to the orchard and get some of the Red Sweetings, Diana. Marilla says we can have all that are left on the tree. Marilla is a very generous woman. She said we could have fruit cake and cherry preserves for tea. But it isn t good manners to tell your company what you are going to give them to eat, so I won t tell you what she said we could have to drink. Only it begins with an R and a C and it s bright red color. I love bright red drinks, don t you? They taste twice as good as any other color." The orchard, with its great sweeping boughs that bent to the ground with fruit, proved so delightful that the little girls spent most of the afternoon in it, sitting in a grassy corner where the frost had spared the green and the mellow autumn sunshine lingered warmly, eating apples and talking as hard as they could. Diana had much to tell Anne of what went on in school. She had to sit with Gertie Pye and she hated it; Gertie squeaked her pencil all the time and it just made her--Diana s--blood run cold; Ruby Gillis had charmed all her warts away, true s you live, with a magic pebble that old Mary Joe from the Creek gave her. You had to rub the warts with the pebble and then throw it away over your left shoulder at the time of the new moon and the warts would all go. Charlie Sloane s name was written up with Em White s on the porch wall and Em White was AWFUL MAD about it; Sam Boulter had "sassed" Mr. Phillips in class and Mr. Phillips whipped him and Sam s father came down to the school and dared Mr. Phillips to lay a hand on one of his children again; and Mattie Andrews had a new red hood and a blue crossover with tassels on it and the airs she put on about it were perfectly sickening; and Lizzie Wright didn t speak to Mamie Wilson because Mamie Wilson s grown-up sister had cut out Lizzie Wright s grown-up sister with her beau; and everybody missed Anne so and wished she s come to school again; and Gilbert Blythe-- But Anne didn t want to hear about Gilbert Blythe. She jumped up hurriedly and said suppose they go in and have some raspberry cordial. Anne looked on the second shelf of the room pantry but there was no bottle of raspberry cordial there. Search revealed it away back on the top shelf. Anne put it on a tray and set it on the table with a tumbler. "Now, please help yourself, Diana," she said politely. "I don t believe I ll have any just now. I don t feel as if I wanted any after all those apples." Diana poured herself out a tumblerful, looked at its bright-red hue admiringly, and then sipped it daintily. "That s awfully nice raspberry cordial, Anne," she said. "I didn t know raspberry cordial was so nice." "I m real glad you like it. Take as much as you want. I m going to run out and stir the fire up. There are so many responsibilities on a person s mind when they re keeping house, isn t there?" When Anne came back from the kitchen Diana was drinking her second glassful of cordial; and, being entreated thereto by Anne, she offered no particular objection to the drinking of a third. The tumblerfuls were generous ones and the raspberry cordial was certainly very nice. "The nicest I ever drank," said Diana. "It s ever so much nicer than Mrs. Lynde s, although she brags of hers so much. It doesn t taste a bit like hers." "I should think Marilla s raspberry cordial would prob ly be much nicer than Mrs. Lynde s," said Anne loyally. "Marilla is a famous cook. She is trying to teach me to cook but I assure you, Diana, it is uphill work. There s so little scope for imagination in cookery. You just have to go by rules. The last time I made a cake I forgot to put the flour in. I was thinking the loveliest story about you and me, Diana. I thought you were desperately ill with smallpox and everybody deserted you, but I went boldly to your bedside and nursed you back to life; and then I took the smallpox and died and I was buried under those poplar trees in the graveyard and you planted a rosebush by my grave and watered it with your tears; and you never, never forgot the friend of your youth who sacrificed her life for you. Oh, it was such a pathetic tale, Diana. The tears just rained down over my cheeks while I mixed the cake. But I forgot the flour and the cake was a dismal failure. Flour is so essential to cakes, you know. Marilla was very cross and I don t wonder. I m a great trial to her. She was terribly mortified about the pudding sauce last week. We had a plum pudding for dinner on Tuesday and there was half the pudding and a pitcherful of sauce left over. Marilla said there was enough for another dinner and told me to set it on the pantry shelf and cover it. I meant to cover it just as much as could be, Diana, but when I carried it in I was imagining I was a nun--of course I m a Protestant but I imagined I was a Catholic--taking the veil to bury a broken heart in cloistered seclusion; and I forgot all about covering the pudding sauce. I thought of it next morning and ran to the pantry. Diana, fancy if you can my extreme horror at finding a mouse drowned in that pudding sauce! I lifted the mouse out with a spoon and threw it out in the yard and then I washed the spoon in three waters. Marilla was out milking and I fully intended to ask her when she came in if I d give the sauce to the pigs; but when she did come in I was imagining that I was a frost fairy going through the woods turning the trees red and yellow, whichever they wanted to be, so I never thought about the pudding sauce again and Marilla sent me out to pick apples. Well, Mr. and Mrs. Chester Ross from Spencervale came here that morning. You know they are very stylish people, especially Mrs. Chester Ross. When Marilla called me in dinner was all ready and everybody was at the table. I tried to be as polite and dignified as I could be, for I wanted Mrs. Chester Ross to think I was a ladylike little girl even if I wasn t pretty. Everything went right until I saw Marilla coming with the plum pudding in one hand and the pitcher of pudding sauce WARMED UP, in the other. Diana, that was a terrible moment. I remembered everything and I just stood up in my place and shrieked out `Marilla, you mustn t use that pudding sauce. There was a mouse drowned in it. I forgot to tell you before. Oh, Diana, I shall never forget that awful moment if I live to be a hundred. Mrs. Chester Ross just LOOKED at me and I thought I would sink through the floor with mortification. She is such a perfect housekeeper and fancy what she must have thought of us. Marilla turned red as fire but she never said a word--then. She just carried that sauce and pudding out and brought in some strawberry preserves. She even offered me some, but I couldn t swallow a mouthful. It was like heaping coals of fire on my head. After Mrs. Chester Ross went away, Marilla gave me a dreadful scolding. Why, Diana, what is the matter?" Diana had stood up very unsteadily; then she sat down again, putting her hands to her head. "I m--I m awful sick," she said, a little thickly. "I--I--must go right home." "Oh, you mustn t dream of going home without your tea," cried Anne in distress. "I ll get it right off--I ll go and put the tea down this very minute." "I must go home," repeated Diana, stupidly but determinedly. "Let me get you a lunch anyhow," implored Anne. "Let me give you a bit of fruit cake and some of the cherry preserves. Lie down on the sofa for a little while and you ll be better. Where do you feel bad?" "I must go home," said Diana, and that was all she would say. In vain Anne pleaded. "I never heard of company going home without tea," she mourned. "Oh, Diana, do you suppose that it s possible you re really taking the smallpox? If you are I ll go and nurse you, you can depend on that. I ll never forsake you. But I do wish you d stay till after tea. Where do you feel bad?" "I m awful dizzy," said Diana. And indeed, she walked very dizzily. Anne, with tears of disappointment in her eyes, got Diana s hat and went with her as far as the Barry yard fence. Then she wept all the way back to Green Gables, where she sorrowfully put the remainder of the raspberry cordial back into the pantry and got tea ready for Matthew and Jerry, with all the zest gone out of the performance. The next day was Sunday and as the rain poured down in torrents from dawn till dusk Anne did not stir abroad from Green Gables. Monday afternoon Marilla sent her down to Mrs. Lynde s on an errand. In a very short space of time Anne came flying back up the lane with tears rolling down her cheeks. Into the kitchen she dashed and flung herself face downward on the sofa in an agony. "Whatever has gone wrong now, Anne?" queried Marilla in doubt and dismay. "I do hope you haven t gone and been saucy to Mrs. Lynde again." No answer from Anne save more tears and stormier sobs! "Anne Shirley, when I ask you a question I want to be answered. Sit right up this very minute and tell me what you are crying about." Anne sat up, tragedy personified. "Mrs. Lynde was up to see Mrs. Barry today and Mrs. Barry was in an awful state," she wailed. "She says that I set Diana DRUNK Saturday and sent her home in a disgraceful condition. And she says I must be a thoroughly bad, wicked little girl and she s never, never going to let Diana play with me again. Oh, Marilla, I m just overcome with woe." Marilla stared in blank amazement. "Set Diana drunk!" she said when she found her voice. "Anne are you or Mrs. Barry crazy? What on earth did you give her?" "Not a thing but raspberry cordial," sobbed Anne. "I never thought raspberry cordial would set people drunk, Marilla--not even if they drank three big tumblerfuls as Diana did. Oh, it sounds so--so--like Mrs. Thomas s husband! But I didn t mean to set her drunk." "Drunk fiddlesticks!" said Marilla, marching to the sitting room pantry. There on the shelf was a bottle which she at once recognized as one containing some of her three-year-old homemade currant wine for which she was celebrated in Avonlea, although certain of the stricter sort, Mrs. Barry among them, disapproved strongly of it. And at the same time Marilla recollected that she had put the bottle of raspberry cordial down in the cellar instead of in the pantry as she had told Anne. She went back to the kitchen with the wine bottle in her hand. Her face was twitching in spite of herself. "Anne, you certainly have a genius for getting into trouble. You went and gave Diana currant wine instead of raspberry cordial. Didn t you know the difference yourself?" "I never tasted it," said Anne. "I thought it was the cordial. I meant to be so--so--hospitable. Diana got awfully sick and had to go home. Mrs. Barry told Mrs. Lynde she was simply dead drunk. She just laughed silly-like when her mother asked her what was the matter and went to sleep and slept for hours. Her mother smelled her breath and knew she was drunk. She had a fearful headache all day yesterday. Mrs. Barry is so indignant. She will never believe but what I did it on purpose." "I should think she would better punish Diana for being so greedy as to drink three glassfuls of anything," said Marilla shortly. "Why, three of those big glasses would have made her sick even if it had only been cordial. Well, this story will be a nice handle for those folks who are so down on me for making currant wine, although I haven t made any for three years ever since I found out that the minister didn t approve. I just kept that bottle for sickness. There, there, child, don t cry. I can t see as you were to blame although I m sorry it happened so." "I must cry," said Anne. "My heart is broken. The stars in their courses fight against me, Marilla. Diana and I are parted forever. Oh, Marilla, I little dreamed of this when first we swore our vows of friendship." "Don t be foolish, Anne. Mrs. Barry will think better of it when she finds you re not to blame. I suppose she thinks you ve done it for a silly joke or something of that sort. You d best go up this evening and tell her how it was." "My courage fails me at the thought of facing Diana s injured mother," sighed Anne. "I wish you d go, Marilla. You re so much more dignified than I am. Likely she d listen to you quicker than to me." "Well, I will," said Marilla, reflecting that it would probably be the wiser course. "Don t cry any more, Anne. It will be all right." Marilla had changed her mind about it being all right by the time she got back from Orchard Slope. Anne was watching for her coming and flew to the porch door to meet her. "Oh, Marilla, I know by your face that it s been no use," she said sorrowfully. "Mrs. Barry won t forgive me?" "Mrs. Barry indeed!" snapped Marilla. "Of all the unreasonable women I ever saw she s the worst. I told her it was all a mistake and you weren t to blame, but she just simply didn t believe me. And she rubbed it well in about my currant wine and how I d always said it couldn t have the least effect on anybody. I just told her plainly that currant wine wasn t meant to be drunk three tumblerfuls at a time and that if a child I had to do with was so greedy I d sober her up with a right good spanking." Marilla whisked into the kitchen, grievously disturbed, leaving a very much distracted little soul in the porch behind her. Presently Anne stepped out bareheaded into the chill autumn dusk; very determinedly and steadily she took her way down through the sere clover field over the log bridge and up through the spruce grove, lighted by a pale little moon hanging low over the western woods. Mrs. Barry, coming to the door in answer to a timid knock, found a white-lipped eager-eyed suppliant on the doorstep. Her face hardened. Mrs. Barry was a woman of strong prejudices and dislikes, and her anger was of the cold, sullen sort which is always hardest to overcome. To do her justice, she really believed Anne had made Diana drunk out of sheer malice prepense, and she was honestly anxious to preserve her little daughter from the contamination of further intimacy with such a child. "What do you want?" she said stiffly. Anne clasped her hands. "Oh, Mrs. Barry, please forgive me. I did not mean to--to--intoxicate Diana. How could I? Just imagine if you were a poor little orphan girl that kind people had adopted and you had just one bosom friend in all the world. Do you think you would intoxicate her on purpose? I thought it was only raspberry cordial. I was firmly convinced it was raspberry cordial. Oh, please don t say that you won t let Diana play with me any more. If you do you will cover my life with a dark cloud of woe." This speech which would have softened good Mrs. Lynde s heart in a twinkling, had no effect on Mrs. Barry except to irritate her still more. She was suspicious of Anne s big words and dramatic gestures and imagined that the child was making fun of her. So she said, coldly and cruelly "I don t think you are a fit little girl for Diana to associate with. You d better go home and behave yourself." Anne s lips quivered. "Won t you let me see Diana just once to say farewell?" she implored. "Diana has gone over to Carmody with her father," said Mrs. Barry, going in and shutting the door. Anne went back to Green Gables calm with despair. "My last hope is gone," she told Marilla. "I went up and saw Mrs. Barry myself and she treated me very insultingly. Marilla, I do NOT think she is a well-bred woman. There is nothing more to do except to pray and I haven t much hope that that ll do much good because, Marilla, I do not believe that God Himself can do very much with such an obstinate person as Mrs. Barry." "Anne, you shouldn t say such things" rebuked Marilla, striving to overcome that unholy tendency to laughter which she was dismayed to find growing upon her. And indeed, when she told the whole story to Matthew that night, she did laugh heartily over Anne s tribulations. But when she slipped into the east gable before going to bed and found that Anne had cried herself to sleep an unaccustomed softness crept into her face. "Poor little soul," she murmured, lifting a loose curl of hair from the child s tear-stained face. Then she bent down and kissed the flushed cheek on the pillow. CHAPTER XV UP CHAPTER XVII 今日 - | 昨日 - | Total - since 05 June 2007 last update 2007-06-05 01 24 29 (Tue)
https://w.atwiki.jp/elvis/pages/5256.html
Problemas Resueltos de Tecnologia Electrica Paraninfo? Moreno? Paraninfo? Moreno? ユーズドブック(洋書)-Engineering Subjects-Engineering-Electrical&Electronics-ElectricityPrinciples? Subjects-Nonfiction-ForeignLanguageNonfiction-Spanish? Subjects-Professional&Technical-Engineering-Electrical&Electronics-ElectricityPrinciples? Problemas Resueltos de Electronica Digital Paraninfo? Zubia? Paraninfo? Zubia? ユーズドブック(洋書)-Engineering Subjects-Engineering-Electrical&Electronics-Electronics-General? Subjects-Nonfiction-ForeignLanguageNonfiction-Spanish? Subjects-Professional&Technical-Engineering-Electrical&Electronics-Electronics-General? Electronica de Potencia Componentes, Topologias y Equipos Thomson? Salvador Martinez Garcia? Juan Andres Gualda Gil? Thomson? SalvadorMartinezGarcia? JuanAndresGualdaGil? ユーズドブック(洋書)-Engineering Subjects-Engineering-Electrical&Electronics-Electronics-General? Subjects-Nonfiction-ForeignLanguageNonfiction-Spanish? Subjects-Professional&Technical-Engineering-Electrical&Electronics-Electronics-General? Expressing Structure The Technology of Large-Scale Buildings Birkhauser (Architectural)? Virginia Fairweather? Birkhauser(Architectural)? VirginiaFairweather? ユーズドブック(洋書)-Arts&Photography? ユーズドブック(洋書)-Engineering Subjects-Arts&Photography-Architecture-BuildingTypes&Styles-General? Subjects-Arts&Photography-Architecture-General? Subjects-Engineering-Civil-Construction-BuildingConstruction? Subjects-Engineering-Civil-Structural? Subjects-Professional&Technical-Engineering-Civil-Construction-BuildingConstruction? Subjects-Professional&Technical-Engineering-Civil-Structural? Subjects-Professional&Technical-Architecture-BuildingTypes&Styles-General? Subjects-Professional&Technical-Architecture-General? Teoria de Circuitos Ejercicios de Autoevaluacion Paraninfo? Antonio Gomez Exposito? Jose L. Martinez Ramos? Jose A. Rosendo Macias? Paraninfo? AntonioGomezExposito? JoseL.MartinezRamos? JoseA.RosendoMacias? ユーズドブック(洋書)-Engineering Subjects-Engineering-Electrical&Electronics-ElectricityPrinciples? Subjects-Nonfiction-ForeignLanguageNonfiction-Spanish? Subjects-Professional&Technical-Engineering-Electrical&Electronics-ElectricityPrinciples? Monitoring the Comprehensive Nuclear-Test-Ban Treaty Seismic Event Discrimination and Monitoring and Identification (Pageoph Topical Volumes) Birkhauser? William R. Walter? Hans E. Hartse? Birkhauser? WilliamR.Walter? HansE.Hartse? ユーズドブック(洋書)-Engineering ユーズドブック(洋書)-History? ユーズドブック(洋書)-Science? Subjects-Engineering-SpecialTopics-MilitaryEngineering? Subjects-Engineering-Nuclear? Subjects-History-MilitaryScience? Subjects-Nonfiction-Politics-International-Relations? Subjects-Nonfiction-Politics-International-Security? Subjects-Nonfiction-CurrentEvents-ArmsControl? Subjects-Professional&Technical-Engineering-Nuclear? Subjects-Professional&Technical-Engineering-SpecialTopics-MilitaryEngineering? Subjects-Professional&Technical-ProfessionalScience-Physics-Geophysics? Subjects-Professional&Technical-ProfessionalScience-EarthSciences-General? Subjects-Professional&Technical-ProfessionalScience-EarthSciences-Geology? Subjects-Professional&Technical-ProfessionalScience-EarthSciences-Seismology? Subjects-Science-EarthSciences-General? Subjects-Science-EarthSciences-Geology-General? Subjects-Science-EarthSciences-Geology-Volcanology? Subjects-Science-EarthSciences-Geology-Seismology? Subjects-Science-EarthSciences-Geophysics? Subjects-Science-EarthSciences-Seismology? Subjects-Science-General Equipos Microinformaticos y Terminales de Telecomunicacion Electricidad-Electronica with CDROM Paraninfo? Isidoro Berral Montero? Paraninfo? IsidoroBerralMontero? ユーズドブック(洋書)-Computers&Internet? ユーズドブック(洋書)-Engineering Subjects-Computers&Internet-Networking-Networks,Protocols&APIs-General? Subjects-Engineering-Electrical&Electronics-Electronics-General? Subjects-Nonfiction-ForeignLanguageNonfiction-Spanish? Subjects-Professional&Technical-Engineering-Electrical&Electronics-Electronics-General? Medio Ambiente y Sociedad Paraninfo? Julio Del Pino? Paraninfo? JulioDelPino? ユーズドブック(洋書)-Engineering Subjects-Engineering-Civil-Environmental-General Subjects-Nonfiction-ForeignLanguageNonfiction-Spanish? Subjects-Professional&Technical-Engineering-Civil-Environmental-General Albanileria Y Enlucido / Masonry and Plastering (Reparar Y Renovar Series / Repair and Renovate Series) Edimat Libros? Mike Lawrence? EdimatLibros? MikeLawrence? ユーズドブック(洋書)-Engineering ユーズドブック(洋書)-Home&Garden? Substores-UnknownASINs-54? Subjects-Engineering-Civil-Construction-Masonry? Subjects-Home&Garden-HomeDesign-Design&Construction? Subjects-Home&Garden-HomeDesign-Remodeling&Renovation-General? Subjects-Home&Garden-How-to&HomeImprovements-Do-It-Yourself? Subjects-Home&Garden-How-to&HomeImprovements-HomeRepair? Subjects-Home&Garden-How-to&HomeImprovements-Masonry? Subjects-Nonfiction-ForeignLanguageNonfiction-Spanish? Subjects-Professional&Technical-Engineering-Civil-Construction-Masonry? Los Siete Elementos Basicos de la Carpinteria / The 7 Basic Elements Of Carpentry (Reparar Y Renovar Series / Repair and Renovate Series) Edimat Libros? Anthony Guidice? EdimatLibros? AnthonyGuidice? ユーズドブック(洋書)-Engineering ユーズドブック(洋書)-Home&Garden? Substores-UnknownASINs-67? Subjects-Engineering-Civil-Construction-Carpentry? Subjects-Home&Garden-Crafts&Hobbies-Woodworking-General? Subjects-Home&Garden-How-to&HomeImprovements-Carpentry? Subjects-Nonfiction-ForeignLanguageNonfiction-Spanish? Subjects-Professional&Technical-Engineering-Civil-Construction-Carpentry? La Enciclopedia De La Aviacion / The Encyclopedia of Aircraft Mas De 3,000 Aeronaves Militares Y Civiles Desde El Flyer De Los Hermanos Wright Hasta El Bombardero Invisible / Over 3,000 Military and Civil Aircraf (Grandes Obras) Edimat Libros? Robert Jackson? EdimatLibros? RobertJackson? ユーズドブック(洋書)-Arts&Photography? ユーズドブック(洋書)-Engineering ユーズドブック(洋書)-Reference? Subjects-Arts&Photography-Photography-Collections,Catalogues&Exhibitions? Subjects-Nonfiction-Transportation-Aviation-General? Subjects-Nonfiction-ForeignLanguageNonfiction-Spanish? Subjects-Nonfiction-Education-Reference-Encyclopedias-General? Subjects-Reference-Encyclopedias-General? Subjects-Engineering-Aerospace-AircraftDesign&Construction? Subjects-Professional&Technical-Engineering-Aerospace-AircraftDesign&Construction? Guia Esencial De Carpinteria / Essential Guide To Carpentry (Guias Esenciales Series / Essential Guides Series) Edimat Libros? Chris Simpson? EdimatLibros? ChrisSimpson? ユーズドブック(洋書)-Engineering ユーズドブック(洋書)-Home&Garden? Subjects-Engineering-Civil-Construction-Carpentry? Subjects-Home&Garden-Crafts&Hobbies-Woodworking-General? Subjects-Home&Garden-Crafts&Hobbies-Woodworking-Projects? Subjects-Home&Garden-How-to&HomeImprovements-Carpentry? Subjects-Nonfiction-ForeignLanguageNonfiction-Spanish? Subjects-Professional&Technical-Engineering-Civil-Construction-Carpentry? Thomas Alva Edison (Grandes Biografias/Great Biographies (Spanish)) Edimat Libros? Margarita Leon Carmona? EdimatLibros? MargaritaLeonCarmona? ユーズドブック(洋書)-Biographies&Memoirs? ユーズドブック(洋書)-Engineering ユーズドブック(洋書)-Science? Subjects-Biographies&Memoirs-General? Subjects-Biographies&Memoirs-Professionals&Academics-Scientists? Subjects-Engineering-Electrical&Electronics-ElectricityPrinciples? Subjects-Engineering-Patents&Inventions? Subjects-Nonfiction-ForeignLanguageNonfiction-Spanish? Subjects-Professional&Technical-Engineering-Electrical&Electronics-ElectricityPrinciples? Subjects-Professional&Technical-Engineering-Patents&Inventions? Subjects-Science-Physics-Electromagnetism-General? Subjects-Science-Physics-Electromagnetism-Electricity? La Enciclopedia Del Automovil Clasico / The Encyclopedia of the Classic Cars Mas de 1,000 Automoviles Escogidos Entre Los Mas Lujosos Desde Los Primeros Vehiculos a Los Modelos Actuales / Over 1,000 of the World's Finest Automo (Grandes Obras Series / Great Works Series) Edimat Libros? David Lillywhite? EdimatLibros? DavidLillywhite? ユーズドブック(洋書)-Engineering ユーズドブック(洋書)-Reference? Subjects-Engineering-Automotive-General? Subjects-Nonfiction-ForeignLanguageNonfiction-Spanish? Subjects-Nonfiction-Automotive-General? Subjects-Nonfiction-Automotive-ClassicCars? Subjects-Nonfiction-Education-Reference-Encyclopedias-Antiques&Collectibles? Subjects-Nonfiction-Education-Reference-Encyclopedias-General? Subjects-Professional&Technical-Engineering-Automotive-General? Subjects-Reference-Encyclopedias-Antiques&Collectibles? Subjects-Reference-Encyclopedias-General? Enciclopedia De Trenes Y Locomotoras / The Encyclopeida of Trains and Locomotives Una Guia Exhaustiva con mas de 900 Maquinas de Vapor, Diesel y Electricas desde 1825 Hasta Nuestros Dias / An Exhuastive Guide With More than 900 Mach (Grandes Obras Series / Great Works Series) Edimat Libros? David Ross? EdimatLibros? DavidRoss? ユーズドブック(洋書)-Engineering ユーズドブック(洋書)-Reference? Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-Machinery? Subjects-History-Europe-Spain? Subjects-History-World-Transportation-Railroads? Subjects-Nonfiction-Transportation-General? Subjects-Nonfiction-Transportation-Railroads-General? Subjects-Nonfiction-ForeignLanguageNonfiction-Spanish? Subjects-Nonfiction-Education-Reference-Encyclopedias-General? Subjects-Nonfiction-Education-Reference-Encyclopedias-History? Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-Machinery? Subjects-Reference-Encyclopedias-General? Subjects-Reference-Encyclopedias-History? Designed in Germany Since 1949 Prestel Pub? Michael Erlhoff? PrestelPub? MichaelErlhoff? ユーズドブック(洋書)-Arts&Photography? ユーズドブック(洋書)-Engineering ユーズドブック(洋書)-History? Substores-UnknownASINs-66? Subjects-Arts&Photography-Art-ArtHistory? Subjects-Arts&Photography-GraphicDesign-Commercial-General? Subjects-Arts&Photography-GraphicDesign-Design-Decorative? Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-IndustrialDesign? Subjects-History-Europe-Germany-General? Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-IndustrialDesign? Curar Casas Enfermas Obelisco? Ann Procter? Roy Procter? Obelisco? AnnProcter? RoyProcter? ユーズドブック(洋書)-Engineering Subjects-Engineering-Civil-Environmental-General Subjects-Health,Mind&Body-General? Subjects-Nonfiction-ForeignLanguageNonfiction-Spanish? Subjects-Professional&Technical-Engineering-Civil-Environmental-General Pictures for the Sky Art Kites Prestel Pub? Paul Eubel? PrestelPub? PaulEubel? ユーズドブック(洋書)-Engineering ユーズドブック(洋書)-Reference? Substores-UnknownASINs-66? Subjects-Engineering-Aerospace? Subjects-Engineering-General? Subjects-Nonfiction-Transportation-Aviation-General? Subjects-Nonfiction-Transportation-Reference? Subjects-Nonfiction-ForeignLanguageNonfiction-Japanese? Subjects-Professional&Technical-Engineering-Aerospace? Subjects-Professional&Technical-Engineering-General Subjects-Reference? Periodismo Audiovisual (Multimedia) Gedisa Editorial? Carles Marin? GedisaEditorial? CarlesMarin? ユーズドブック(洋書)-Engineering ユーズドブック(洋書)-Entertainment? Subjects-Engineering-Electrical&Electronics-General? Subjects-Entertainment-Radio-GeneralBroadcasting? Subjects-Entertainment-Television-General? Subjects-Nonfiction-SocialSciences-MediaStudies? Subjects-Nonfiction-ForeignLanguageNonfiction-Spanish? Subjects-Professional&Technical-Engineering-Electrical&Electronics-General? Seguridad Y Salud Laboral/ Security and Health in the Workplace Maria del Mar Argibay Gonzalez? undefined MariadelMarArgibayGonzalez? ユーズドブック(洋書)-Business&Investing? ユーズドブック(洋書)-Engineering ユーズドブック(洋書)-Science? Subjects-Business&Investing-BusinessLife-Workplace? Subjects-Business&Investing-Management&Leadership-Industrial? Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-Safety&Health? Subjects-Nonfiction-ForeignLanguageNonfiction-Spanish? Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-Safety&Health? Subjects-Professional&Technical-Medical-Administration&MedicineEconomics-PublicHealth-IndustrialHealth? Subjects-Professional&Technical-BusinessManagement-Management&Leadership-Industrial? Subjects-Science-Technology-Safety&Health? Los Setenta Grandes Inventos Y Descubrimientos Del Mundo Antiguo/The Seventy Great Inventions of the Ancient World Blume? Brian M. Fagan? Blume? BrianM.Fagan? ユーズドブック(洋書)-Engineering Subjects-Engineering-Patents&Inventions? Subjects-History-Ancient-General? Subjects-History-Europe-Spain? Subjects-Nonfiction-ForeignLanguageNonfiction-Spanish? Subjects-Professional&Technical-Engineering-Patents&Inventions? Advances in External Control of Human Extremities 10 (Yugoslav Committee for Electronics, Telecommunication and Automation) Demos Medical Pub? Dejan B. Popovic? DemosMedicalPub? DejanB.Popovic? ユーズドブック(洋書)-Engineering ユーズドブック(洋書)-Medicine? ユーズドブック(洋書)-Science? Subjects-Engineering-Bioengineering-BiomedicalEngineering? Subjects-Medicine-SpecialTopics-Prosthesis? Subjects-Professional&Technical-Engineering-Bioengineering-BiomedicalEngineering? Subjects-Science-Medicine-SpecialTopics-Prosthesis? Anatomy in Diagnostic Imaging Blackwell Science Inc? Peter Fleckenstein? Jorgen Tranum-Jensen? BlackwellScienceInc? PeterFleckenstein? JorgenTranum-Jensen? ユーズドブック(洋書)-Engineering ユーズドブック(洋書)-Medicine? ユーズドブック(洋書)-Science? Subjects-Engineering-ComputerTechnology-ImagingSystems? Subjects-Medicine-BasicScience-Anatomy? Subjects-Medicine-Specialties-Radiology-DiagnosticImaging? Subjects-Medicine-Specialties-Radiology-General? Subjects-Professional&Technical-Engineering-ComputerTechnology-ImagingSystems? Subjects-Professional&Technical-Medical-BasicSciences-Anatomy? Subjects-Professional&Technical-Medical-Medicine-InternalMedicine-Radiology-General? Subjects-Professional&Technical-Medical-Medicine-InternalMedicine-Radiology-DiagnosticImaging? Subjects-Science-BiologicalSciences-Anatomy? Subjects-Science-Medicine-BasicScience-Anatomy? Subjects-Science-Medicine-Specialties-Radiology-DiagnosticImaging? Subjects-Science-Medicine-Specialties-Radiology-General? Specialisation and Localised Learning Six Studies on the European Furniture Industry (Copenhagen Studies in Economics Management Series A) Handelshojskolens Forlag? Mark Lorenzen? HandelshojskolensForlag? MarkLorenzen? ユーズドブック(洋書)-Business&Investing? ユーズドブック(洋書)-Engineering Substores-UnknownASINs-67? Subjects-Business&Investing-BusinessLife-OrganizationalBehavior? Subjects-Business&Investing-Economics-Microeconomics? Subjects-Business&Investing-Industries&Professions-General? Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-Manufacturing? Subjects-Nonfiction-Economics-Microeconomics? Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-Manufacturing? Subjects-Professional&Technical-Accounting&Finance-Economics-Microeconomics? Effects of Acid Deposition and Troposhperic Ozoneon Forest Ecosystems in Sweden (Ecological Bulletins) Blackwell Science Inc? H Staaf? G Tyler? BlackwellScienceInc? HStaaf? GTyler? ユーズドブック(洋書)-Engineering ユーズドブック(洋書)-Outdoors&Nature ユーズドブック(洋書)-Science? Substores-UnknownASINs-54? Subjects-Engineering-Civil-Environmental-Pollution-Air? Subjects-Outdoors&Nature-Ecology-General? Subjects-Outdoors&Nature-Environment-EnvironmentalScience Subjects-Professional&Technical-Engineering-Civil-Environmental-Pollution-Air? Subjects-Professional&Technical-ProfessionalScience-BiologicalSciences-Ecology? Subjects-Professional&Technical-ProfessionalScience-EarthSciences-EnvironmentalScience? Subjects-Science-EarthSciences-EnvironmentalScience Subjects-Science-EarthSciences-Ecology-General? Subjects-Science-General Subjects-Science-Nature&Ecology-General? Land Transport in Europe (Studies of Folklife, 4) Aarhus Univ Pr? A. Fenton? J. Podolak? H. Rasmussen? AarhusUnivPr? A.Fenton? J.Podolak? H.Rasmussen? ユーズドブック(洋書)-Engineering Subjects-Engineering-Civil-Transportation&Highway? Subjects-History-Europe-General? Subjects-Nonfiction-SocialSciences-Anthropology-Cultural? Subjects-Nonfiction-SocialSciences-Sociology-General? Subjects-Nonfiction-SocialSciences-SpecialGroups-EthnicStudies? Subjects-Nonfiction-Transportation-General? Subjects-Nonfiction-Automotive-Traffic&Safety? Subjects-Professional&Technical-Engineering-Civil-Transportation&Highway? Oil and Gas Journal Databook 2006 Databook 2000 Pennwell Corp? Pennwell Corporation? PennwellCorp? PennwellCorporation? ユーズドブック(洋書)-Business&Investing? ユーズドブック(洋書)-Engineering ユーズドブック(洋書)-Reference? Substores-UnknownASINs-67? Subjects-Business&Investing-General? Subjects-Business&Investing-Reference-General? Subjects-Engineering-Chemical-Petrochemical? Subjects-Engineering-Petroleum,Mining&Geological-Petroleum? Subjects-Professional&Technical-Engineering-Chemical-Petrochemical? Subjects-Professional&Technical-Engineering-Petroleum,Mining&Geological-Petroleum? Subjects-Reference-General? Collective Agreement And Competition in the Eu The Report of the Colcom-project Danmarks Jurist? Niklas Bruun? Jari Hellsten? DanmarksJurist? NiklasBruun? JariHellsten? ユーズドブック(洋書)-Engineering ユーズドブック(洋書)-Law? Substores-UnknownASINs-54? Subjects-Engineering-Civil-Construction-Contracting? Subjects-Law-Business-Construction? Subjects-Law-One-L-ConstitutionalLaw? Subjects-Law-InternationalLaw-EuropeanUnion? Subjects-Nonfiction-Law-Business-Construction? Subjects-Nonfiction-Law-One-L-ConstitutionalLaw? Subjects-Nonfiction-Law-InternationalLaw-EuropeanUnion? Subjects-Professional&Technical-Engineering-Civil-Construction-Contracting? The Principal Danish Criminal Acts The Criminal Code, the Corrections Act, the Administration of Justice Act Danmarks Jurist? Vagn Greve? Martin Spencer? Malene Jensen? DanmarksJurist? VagnGreve? MartinSpencer? MaleneJensen? ユーズドブック(洋書)-Engineering ユーズドブック(洋書)-Law? ユーズドブック(洋書)-Reference? Subjects-Engineering-Civil-Construction-Contracting? Subjects-Law-Business-Construction? Subjects-Law-CriminalLaw-General? Subjects-Law-LawPractice-Reference? Subjects-Nonfiction-Law-Business-Construction? Subjects-Nonfiction-Law-CriminalLaw-General? Subjects-Nonfiction-Law-LawPractice-Reference? Subjects-Professional&Technical-Engineering-Civil-Construction-Contracting? Subjects-Reference-Law? Telecommunications The Eu Law Copenhagen Business School Press? Simmons & Simmons? Tom Wheadon? Chris Watson? CopenhagenBusinessSchoolPress? Simmons&Simmons? TomWheadon? ChrisWatson? ユーズドブック(洋書)-Engineering ユーズドブック(洋書)-Law? Substores-UnknownASINs-54? Subjects-Engineering-Telecommunications-General? Subjects-Law-IntellectualProperty-Communications? Subjects-Law-InternationalLaw-General? Subjects-Law-InternationalLaw-EuropeanUnion? Subjects-Nonfiction-Law-IntellectualProperty-Communications? Subjects-Nonfiction-Law-InternationalLaw-General? Subjects-Nonfiction-Law-InternationalLaw-EuropeanUnion? Subjects-Professional&Technical-Engineering-Telecommunications-General? Subjects-Professional&Technical-Law-IntellectualProperty-Communications? Subjects-Professional&Technical-Law-InternationalLaw? Information And Communication Technologies In Action Linking Theory Narratives Of Practice Copenhagen Business School Pr? Larry D. Browning? CopenhagenBusinessSchoolPr? LarryD.Browning? ユーズドブック(洋書)-Engineering ユーズドブック(洋書)-Science? Subjects-Engineering-Telecommunications-General? Subjects-Professional&Technical-Engineering-Telecommunications-General? Subjects-Science-General Supply Chain Management In Theory and Practice Copenhagen Business School Pr? Birgit Dam Jespersen? Tage Skjott-Larsen? CopenhagenBusinessSchoolPr? BirgitDamJespersen? TageSkjott-Larsen? ユーズドブック(洋書)-Business&Investing? ユーズドブック(洋書)-Engineering Subjects-Business&Investing-General? Subjects-Business&Investing-Industries&Professions-Purchasing&Buying? Subjects-Business&Investing-Management&Leadership-Production&Operations? Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-Production,Operation&Management? Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-Production,Operation&Management? Subjects-Professional&Technical-Accounting&Finance-Industries&Professions-Purchasing&Buying? Subjects-Professional&Technical-BusinessManagement-Management&Leadership-Production&Operations? Settlement and Landscape Proceedings of a Conference in Arhus, Denmark, May 4-7, 1998 Aarhus Univ Pr? Charlotte Fabech? AarhusUnivPr? CharlotteFabech? ユーズドブック(洋書)-Engineering ユーズドブック(洋書)-Science? Subjects-Engineering-Civil-Environmental-General Subjects-Nonfiction-SocialSciences-Anthropology-Cultural? Subjects-Nonfiction-SocialSciences-Archaeology-General? Subjects-Professional&Technical-Engineering-Civil-Environmental-General Subjects-Science-General Subjects-Science-Archaeology-General? Fatwa Violence Discourtesy Aarhus Univ Pr? Mehdi Mozaffari? AarhusUnivPr? MehdiMozaffari? ユーズドブック(洋書)-Engineering Subjects-Engineering-Civil-Construction-Contracting? Subjects-History-World-Islamic? Subjects-Literature&Fiction-Books&Reading-General? Subjects-Literature&Fiction-History&Criticism-Criticism&Theory-General? Subjects-Professional&Technical-Engineering-Civil-Construction-Contracting? Bitterfeld. Braunkohlebrachen. Probleme, Chancen, Visionen Prestel Verlag GmbH + Co.? Manuel Cuadra? Rolf Toyka? Christof Bodenbach? Rainer Weisbach? PrestelVerlagGmbH+Co.? ManuelCuadra? RolfToyka? ChristofBodenbach? RainerWeisbach? ユーズドブック(洋書)-Engineering Subjects-Engineering-Civil-Environmental-General Subjects-Nonfiction-ForeignLanguageNonfiction-German? Subjects-Professional&Technical-Engineering-Civil-Environmental-General Cause Related Monitoring of Forest Damage (Nord 1991 12) Nordic Council of Ministers,Denmark? Mette Goul Thomsen? NordicCouncilofMinisters,Denmark? MetteGoulThomsen? ユーズドブック(洋書)-Engineering ユーズドブック(洋書)-Outdoors&Nature ユーズドブック(洋書)-Science? Subjects-Engineering-SpecialTopics-AppliedAtmosphericSciences? Subjects-Engineering-Civil-Environmental-Pollution-Air? Subjects-Outdoors&Nature-NaturalResources-Forests&Forestry? Subjects-Professional&Technical-Engineering-Civil-Environmental-Pollution-Air? Subjects-Professional&Technical-Engineering-SpecialTopics-AppliedAtmosphericSciences? Subjects-Science-Nature&Ecology-NaturalResources-Forests&Forestry? Building Customs in Viking Age Denmark Kristensen Poul Grafisk? Holger Schmidt? KristensenPoulGrafisk? HolgerSchmidt? ユーズドブック(洋書)-Engineering ユーズドブック(洋書)-Science? Subjects-Engineering-Civil-Construction-BuildingConstruction? Subjects-History-Europe-Denmark? Subjects-Nonfiction-SocialSciences-Archaeology-General? Subjects-Nonfiction-SocialSciences-Sociology-General? Subjects-Professional&Technical-Engineering-Civil-Construction-BuildingConstruction? Subjects-Science-Archaeology-General? New Trends in the History and Philosophy of Mathematics Univ Pr of Southern Denmark? Tinne Hoff Kjeldsen? Stig Andur Pedersen? Lise Mariane Sonne-Hansen? UnivProfSouthernDenmark? TinneHoffKjeldsen? StigAndurPedersen? LiseMarianeSonne-Hansen? ユーズドブック(洋書)-Engineering ユーズドブック(洋書)-Science? Substores-UnknownASINs-67? Subjects-Engineering-General? Subjects-Professional&Technical-Engineering-General Subjects-Science-General Subjects-Science-History&Philosophy-HistoryofTechnology? Monitoring the Comprehensive Nuclear-Test-Ban Treaty Data Processing and Infrasound (Pageoph Topical Volumes) Birkhauser? Zoltan A. Der? Robert H. Shumway? Eugene T. Herrin? Birkhauser? ZoltanA.Der? RobertH.Shumway? EugeneT.Herrin? ユーズドブック(洋書)-Computers&Internet? ユーズドブック(洋書)-Engineering ユーズドブック(洋書)-History? ユーズドブック(洋書)-Science? Subjects-Computers&Internet-General? Subjects-Engineering-Nuclear? Subjects-Engineering-Energy-Nuclear? Subjects-History-Military-Weapons&Warfare-Nuclear? Subjects-History-Military-Weapons&Warfare-Control? Subjects-Nonfiction-CurrentEvents-ArmsControl? Subjects-Professional&Technical-Engineering-Nuclear? Subjects-Professional&Technical-Engineering-Energy-Nuclear? Subjects-Professional&Technical-ProfessionalScience-Physics-Geophysics? Subjects-Professional&Technical-ProfessionalScience-EarthSciences-General? Subjects-Professional&Technical-ProfessionalScience-EarthSciences-Geology? Subjects-Science-EarthSciences-General? Subjects-Science-EarthSciences-Geology-General? Subjects-Science-EarthSciences-Geology-Dynamic&Geophysics? Subjects-Science-EarthSciences-Geophysics? Subjects-Science-General The State the Iron Industry in Han China (Nias Reports,) Nordic Inst of Asian Studies? Donald B. Wagner? NordicInstofAsianStudies? DonaldB.Wagner? ユーズドブック(洋書)-Business&Investing? ユーズドブック(洋書)-Engineering Subjects-Business&Investing-Economics? Subjects-Business&Investing-Industries&Professions-General? Subjects-Engineering-Materials-Metallurgy? Subjects-History-Asia-China-General? Subjects-Nonfiction-Politics-General? Subjects-Nonfiction-Economics? Subjects-Professional&Technical-Engineering-Materials-Metallurgy? Subjects-Professional&Technical-Accounting&Finance-Economics? Functionalist Design An Ongoing History (Architecture Design) Prestel Pub? George H. Marcus? PrestelPub? GeorgeH.Marcus? ユーズドブック(洋書)-Arts&Photography? ユーズドブック(洋書)-Engineering Subjects-Arts&Photography-Art-ArtHistory? Subjects-Arts&Photography-GraphicDesign-Commercial-General? Subjects-Arts&Photography-Architecture-BuildingTypes&Styles-SpecificStyles? Subjects-Arts&Photography-Architecture-General? Subjects-Arts&Photography-Architecture-Reference? Subjects-Engineering-Industrial,Manufacturing&OperationalSystems-IndustrialDesign? Subjects-Professional&Technical-Engineering-Industrial,Manufacturing&OperationalSystems-IndustrialDesign? Subjects-Professional&Technical-Architecture-BuildingTypes&Styles-SpecificStyles? Subjects-Professional&Technical-Architecture-General? Subjects-Professional&Technical-Architecture-Reference? Optimal Control of Complex Structures International Conference in Oberwolfach, June 4-10, 2000 (International Series of Numerical Mathematics) Birkhauser? China) International Conference on Advances in Structural Dynamics (2000 Hong Kong? I. Lasiecka? G. Leugering? J. Sprekels? F. Troltzsch? Karl-Heinz Hoffmann? Birkhauser? China)InternationalConferenceonAdvancesinStructuralDynamics(2000 HongKong? I.Lasiecka? G.Leugering? J.Sprekels? F.Troltzsch? Karl-HeinzHoffmann? ユーズドブック(洋書)-Computers&Internet? ユーズドブック(洋書)-Engineering ユーズドブック(洋書)-Medicine? ユーズドブック(洋書)-Science? Subjects-Computers&Internet-ComputerScience-ArtificialIntelligence-General? Subjects-Engineering-Electrical&Electronics-DigitalDesign? Subjects-Engineering-Mechanical-FluidMechanics? Subjects-Medicine-General? Subjects-Professional&Technical-Engineering-Electrical&Electronics-DigitalDesign? Subjects-Professional&Technical-Engineering-Mechanical-FluidMechanics? Subjects-Professional&Technical-ProfessionalScience-Evolution-GameTheory? Subjects-Professional&Technical-ProfessionalScience-Mathematics-Applied-Statistics? Subjects-Professional&Technical-ProfessionalScience-Mathematics-PureMathematics-NumberTheory? Subjects-Science-Evolution-GameTheory? Subjects-Science-General Subjects-Science-Mathematics-General? Subjects-Science-Mathematics-PureMathematics-NumberTheory? Subjects-Science-Mathematics-Applied-DifferentialEquations? Subjects-Science-Mathematics-Applied-Probability&Statistics? Subjects-Science-Physics-Dynamics-FluidDynamics? Subjects-Science-Physics-FluidMechanics? Subjects-Science-Medicine-General? Guide to Food Transport Mercantila? Michael S. Reid? Mercantila? MichaelS.Reid? ユーズドブック(洋書)-Engineering Substores-UnknownASINs-54? Subjects-Engineering-Civil-Transportation&Highway? Subjects-Professional&Technical-Engineering-Civil-Transportation&Highway? Guide to Food Transport Mercantila? Mercantila? ユーズドブック(洋書)-Engineering Substores-UnknownASINs-54? Subjects-Engineering-Civil-Transportation&Highway? Subjects-Professional&Technical-Engineering-Civil-Transportation&Highway? Guide to Food Transport Mercantila? Mercantila? ユーズドブック(洋書)-Engineering Subjects-Engineering-Civil-Transportation&Highway? Subjects-Professional&Technical-Engineering-Civil-Transportation&Highway? Quaternario 90 Edizioni Electa? EdizioniElecta? ユーズドブック(洋書)-Arts&Photography? ユーズドブック(洋書)-Engineering Subjects-Arts&Photography-Architecture-General? Subjects-Arts&Photography-Architecture-Reference? Subjects-Engineering? Subjects-Professional&Technical-Engineering? Subjects-Professional&Technical-Architecture-General? Subjects-Professional&Technical-Architecture-Reference? American Play E Emozioni a Gettone Gingko Pr Inc? GingkoPrInc? ユーズドブック(洋書)-Engineering ユーズドブック(洋書)-Entertainment? ユーズドブック(洋書)-Home&Garden? Subjects-Engineering-Mechanical-General? Subjects-Entertainment-Puzzles&Games-Gambling-General? Subjects-Home&Garden-Antiques&Collectibles-General? Subjects-Home&Garden-Antiques&Collectibles-Records? Subjects-Professional&Technical-Engineering-Mechanical-General? Pininfarina Identity of a Design Electa? Decio Carugati? Electa? DecioCarugati? ユーズドブック(洋書)-Arts&Photography? ユーズドブック(洋書)-Biographies&Memoirs? ユーズドブック(洋書)-Engineering ユーズドブック(洋書)-Science? Subjects-Arts&Photography-GraphicDesign-Design-General? Subjects-Biographies&Memoirs-Arts&Literature-Artists,Architects&Photographers? Subjects-Engineering-Automotive? Subjects-Engineering-General? Subjects-History-Europe-Italy-General? Subjects-Nonfiction-Automotive? Subjects-Professional&Technical-Engineering-Automotive? Subjects-Professional&Technical-Engineering-General Subjects-Science-History&Philosophy-HistoryofTechnology? Vitamin C The State of the Art in Disease Prevention Sixty Years After the Nobel Prize Springer Verlag? Rodolfo Paoletti? SpringerVerlag? RodolfoPaoletti? ユーズドブック(洋書)-Engineering ユーズドブック(洋書)-Medicine? ユーズドブック(洋書)-Science? Subjects-Engineering-Bioengineering-Biochemistry? Subjects-Health,Mind&Body-Nutrition-Antioxidants&Phytochemicals? Subjects-Health,Mind&Body-AlternativeMedicine-Supplements? Subjects-Medicine-Administration&Policy-PublicHealth? Subjects-Medicine-BasicScience-Physiology? Subjects-Medicine-BasicScience-General? Subjects-Medicine-Pharmacology-General? Subjects-Medicine-Pharmacology-Toxicology? Subjects-Medicine-SpecialTopics-Nutrition? Subjects-Medicine-Specialties-PreventiveMedicine? Subjects-Professional&Technical-Engineering-Bioengineering-Biochemistry? Subjects-Professional&Technical-Medical-BasicSciences-Physiology? Subjects-Professional&Technical-Medical-BasicSciences-Nutrition? Subjects-Professional&Technical-Medical-BasicSciences-Pharmacology? Subjects-Professional&Technical-Medical-Pharmacology-Toxicology? Subjects-Science-Chemistry-Biochemistry? Subjects-Science-BiologicalSciences-Biology-General? Subjects-Science-Medicine-Administration&Policy-PublicHealth? Subjects-Science-Medicine-BasicScience-Physiology? Subjects-Science-Medicine-BasicScience-General? Subjects-Science-Medicine-Pharmacology-General? Subjects-Science-Medicine-Pharmacology-Toxicology? Subjects-Science-Medicine-SpecialTopics-Nutrition? Subjects-Science-Medicine-Specialties-PreventiveMedicine? Syllabus Methodology, Spectroscopy, and Clinical Mri (Bracco Education in Diagnostic Imaging, Syllabus 13) Springer Verlag, Italy? Switzerland) Esmrmb 9 (1998 Geneva? S. Cerdan? A. Haase? F. Terrier? European Society for Magnetic Resonance in Medicine and Biology? SpringerVerlag,Italy? Switzerland)Esmrmb9(1998Geneva? S.Cerdan? A.Haase? F.Terrier? EuropeanSocietyforMagneticResonanceinMedicineandBiology? ユーズドブック(洋書)-Engineering ユーズドブック(洋書)-Medicine? ユーズドブック(洋書)-Science? Subjects-Engineering-ComputerTechnology-ImagingSystems? Subjects-Medicine-Specialties-Radiology-DiagnosticImaging? Subjects-Medicine-Specialties-Radiology-General? Subjects-Medicine-InternalMedicine? Subjects-Medicine-AlliedHealthProfessions-Radiologic&UltrasoundTechnology? Subjects-Professional&Technical-Engineering-ComputerTechnology-ImagingSystems? Subjects-Professional&Technical-Medical-Medicine-InternalMedicine-Radiology-General? Subjects-Professional&Technical-Medical-Medicine-Reference-Instruments&Supplies? Subjects-Science-Medicine-Specialties-Radiology-DiagnosticImaging? Subjects-Science-Medicine-Specialties-Radiology-General? Subjects-Science-Medicine-InternalMedicine? Subjects-Science-Medicine-AlliedHealthProfessions-Radiologic&UltrasoundTechnology? ユーズドブック(洋書)-Engineering 洋書